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The white pigment in Liming Wax is Titanium Dioxide (TiO2) which gives it a brilliant white finish which will perfectly highlight open grain. Use Liming Wax on any open grained timber for a dramatic and striking effect which can be emphasised by using a stain or Ebonising Lacquer first. For an even better result use the Liming Brush first to open up the grain, allowing more Liming Wax to enter; spread the Liming Wax over the whole surface and then wipe off after a few minutes. The Liming Wax will stay in the open grain and the effect will be instantly visible. Whilst Liming Wax is a wax (obviously!), the wax is mainly a carrier for the white pigment. Therefore an overcoat of some kind is needed. WoodWax 22, Microcrystalline Wax, Finishing Oil or Hard Wax Oil are ideal for this and will lock the wax in place whilst keeping it clean and bright. -
Cut’n’Polish is a blend of two waxes with a fine abrasive held in suspension within them. This is a soft wax designed to stay ‘wet’ slightly longer during application, allowing it to lubricate the abrasive to give a very fine cut to the timber and also to collect any dust generated during use and some subsequent sanding, preventing it from entering the workshop atmosphere. On bare wood; sand to 240 grit as normal, apply a coat of Cut’n’Polish with the lathe stopped, then switch on the lathe and buff to a soft sheen whilst smoothing the timber at the same time. On sealed wood apply after the sealer in the same way, polishing to a slightly higher shine. Cut’n’Polish dries almost immediately and can be overcoated with Friction Polish or any Chestnut waxes for a higher shine. -
Chestnut Products’ Microcrystalline Wax is a blend of high quality waxes rich in microcrystalline wax – a wax derived from the petroleum refining process and known for the fineness of its crystals.
This is mixed with a special solvent to create a firm wax which, when dry, knits down to form a very dense coating making it very water resistant, meaning that it is ideal for any items that are likely to come into contact with water for short periods of time.
Microcrystalline waxes also have a higher melting point than other waxes traditionally used to make polishing waxes, the benefit of which is that repeated handling of items finished in Microcrystalline Wax won’t finger mark in the same way, as the melting point is higher than normal body temperature.
Microcrystalline Wax should be used over one of the Chestnut Products’ sanding sealers and allowed to dry (about 20 minutes) before buffing to a shine.
For best results apply a very thin coat, spreading the wax evenly over the entire surface.
Microcrystalline Wax can also be used on the buffing wheel system. In this situation use the A and B Wheel as normal, then apply the Microcrystalline Wax to the item you are polishing. Allow 20 minutes for the wax to dry then buff and normal using the C Wheel. You can use the same C Wheel for both Microcrystalline Wax and the Carnuaba Wax Stick.
Microcrystalline Wax has been tested to the EN71 Part 3 regulations regarding coatings used on toys.
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Sale!
These new jaws are ideal for heavy bowls and vases. The wide front face provides a good register for the base of the bowl or vase and the deep toothed body provides strong grip on the spigot. The internal gripper can also be used on smaller rough green timber. Also featuring an external dovetail in expansion, they can be used for large platters. A truly versatile and solid jaw set. Expansion: 81 - 102 mm Contraction Spigot: 46 - 65 mm Contraction Square: 33 - 54 mm -
Panga Panga is extraordinary in its rarity as it is only found, in commercially viable quantities, inMozambique. Its dark colours, with rich parenchyma bands brings a touch of the exotic to finished pieces. The heartwood is dark chocolate brown with paler broad bands. At 880kg/m3 the heartwood is extremely durable. It sands and finishes well. -
Panga Panga is extraordinary in its rarity as it is only found, in commercially viable quantities, inMozambique. Its dark colours, with rich parenchyma bands brings a touch of the exotic to finished pieces. The heartwood is dark chocolate brown with paler broad bands. At 880kg/m3 the heartwood is extremely durable. It sands and finishes well.
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It’s important to use a sanding sealer on most items; it gives a good foundation to your piece and can help the next coat to adhere properly to the timber.
Chestnut Acrylic Sanding Sealer does this perfectly and is designed to be used with Acrylic Gloss Lacquer, Acrylic Satin Lacquer, Ebonising Lacquer, any of their polishes and any of their waxes.
Supplied in an easy to use aerosol the dried coating complies with the EN71 Part 3 regulations governing toys and nursery furniture.
Once dried lightly sand back prior to applying your top coat.
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Getting a good base for your finishing is essential when you want to get a great finish. Sometimes the piece you’re working on makes that more difficult due to its shape or size or for many other reasons.
Or sometimes you just want a quicker, cleaner method of applying a sealer.
That’s where Cellulose Sanding Sealer in an aerosol comes into its own. Basically the same product as in the tin, it has all the same benefits of quick drying and universal compatibility, it also has the added advantage of being easier both to apply and to get an even coating.
Use it before applying waxes, lacquers and polishes for a more durable final finish.
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If you don’t have access to spraying equipment, this aerosol lacquer will give you a great finish quickly and easily. A spray application is particularly relevant when trying to achieve the best gloss finish possible. Acrylic Gloss Lacquer is a high build water based lacquer specially adapted to give the best delivery through the nozzle (chosen to give excellent results without spitting, spotting or clogging in normal use) without, of course, the use of CFCs.
The lacquer itself dries quickly to give a high gloss finish straight from the can which has the benefit of being extremely hard wearing and durable – so much so that it can be used on items that will be kept outdoors or used in areas where moisture could damage other finishes.
Acrylic Gloss Lacquer is touch dry and tack free in around five minutes and hard dry in twenty minutes, ready for a second coat if needed after a light rubdown with a fine abrasive.
The sheen level can be increased if required by using Burnishing Cream (which will not affect the durability) or, after allowing 24 hours to ensure it is completely hard dry, by using it in conjunction with the Buffing Wheel Kit.
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Sale!
Featuring a specialised dovetail profile, these jaws are ideal for turning up to 30” bowls. They also feature a reverse dovetail for a contracting grip on large spigots. Expansion: 125 - 145 mm Contraction Spigot: 104 - 123 mm Contraction Square: 74 - 94 mm . -
When you need to protect your work but don’t want an overpowering shine on it, Acrylic Satin Lacquer is an ideal choice. With the benefit of an easy aerosol application, especially useful on awkward shapes, this is a hard wearing water based lacquer that will protect whatever it’s put onto, leaving an attractive satin sheen.
Acrylic Satin Lacquer is touch dry and dust free in about five minutes and hard dry about 20 minutes, ready for a second coat if needed after a light cut back with a fine abrasive.
For best results it should be used over either Cellulose Sanding Sealer or the Acrylic Sanding Sealer aerosol.
If you have a change of heart on the finish the lacquer can be brought to a gloss by using either Burnishing Cream or the Buffing Wheel Kit. Or you can simply apply a coat of Acrylic Gloss Lacquer!
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Deep orange-brown timber with broad medullary rays creating a flame pattern on quarter cut faces or numerous spots on flat sawn surfaces. Hard and heavy with a slightly coarse texture. -
Ebonising Lacquer is a tough, hard-wearing water-based lacquer. It is heavily pigmented so that when it is dry it emulates the classic satin look of ebony.
Usually applied over a sanding sealer (either Cellulose Sanding Sealer or Acrylic Sanding Sealer aerosol) it is touch dry in about five minutes and hard dry after twenty minutes.
Although heavily pigmented it is not paint and will still allow the grain of the timber to show through, rather than obliterating it completely.
Liming Wax and Gilt Cream can be applied over Ebonising Lacquer to give a pleasing, eye-catching yet very simple artistic effect.
If a bright gloss finish is required from Ebonising Lacquer this is best achieved by using Burnishing Cream on the lacquer with will polish it up to a high gloss.
Acrylic Gloss Lacquer can also be applied on top of Ebonising Lacquer, as can WoodWax 22 and Microcrystalline Wax.
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Out of stock
Deep orange-brown timber with broad medullary rays creating a flame pattern on quarter cut faces or numerous spots on flat sawn surfaces. Hard and heavy with a slightly coarse texture.
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Sovereign Threaded Coupler, this handy accessory allows the turner to easily customise handle length. Use to join handles together. -
The heartwood is light and dark chocolate brown. At 1010kg's/m3 the wood is hard, heavy, durable, close-grained and resistant to termites. When freshly worked it has a distinctive, sweetish smell.It sands and finishes well to a satin lustre. It is used in musical instruments, turning and carving. -
The Sovereign Extension is a useful addition to the range of accessories. Custom-made during the development of the new Sovereign sets. This 4" extension adds length to any Sovereign handle. NOTE: a threaded coupler is required. -
Melamine Lacquer can be a bit fiddly to apply and there’s no better way than spraying it. If you don’t have access to spray equipment then this aerosol version is the ideal way.
Melamine Gloss Lacquer will quickly build to a bright gloss finish and dries in a matter of minutes.
Touch dry and safe to handle within five minutes the lacquer chemically cures to give a tougher finish. The lacquer achieves practically all of this (about 90%) within seven days, after which the process slows and can take up to another two weeks to fully complete.
Best used over a Cellulose Sanding Sealer (brushing or aerosol) and can be overcoated with a wax for a softer tactile feel.
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Sale!
Featuring a specialised dovetail profile, these jaws are ideal for turning large bowls, green timber and hollow vessels. They combine the profile of our previously popular 100 mm dovetail jaws with a deep body and internal teeth to improve versatility. The outer dovetail jaws are ideal for large bowls or platters, particularly when gripping onto a spigot and the deep internal toothed body is ideal for large spigots of large hollow vessels. Expansion: 94 - 114 mm Contraction Spigot: 76 - 95 mm Contraction Square: 54 - 74 mm -
Woodturners stick wax is a mixture of beeswax and carnauba wax it is slightly softer than the Carnauba Wax Stick and therefore slightly easier to apply and there are no concerns about it marking softer woods. Applied over a sanding sealer, simply hold the stick against the revolving work and allow the heat generated to melt the wax onto the wood. Buff up straight away using Safety Cloth, using the cloth to ensure an even coating. -
This is a solid block of carnauba wax, popular with woodturners. It gives a bright gloss finish and is also very hard wearing, able to withstand a medium amount of handling without showing finger marks. Apply over a sanding sealer by holding it against your work at it revolves on the lathe. Do not press too much – the wax is very hard and can scratch softer woods – the idea is to generate enough heat for the wax to melt slightly and transfer onto the wood. (This is easier than it sounds!). Use sparingly, and use the polishing process (using safety cloth) to ensure the wax is spread evenly. Buffing will produce a high gloss finish. -
This is the same wax Chestnut use in the tinned version of Microcrystalline Wax but in a solid block form with no solvent. This means there’s no waiting around for it to dry before buffing it.
Like the original version, this wax should be used very sparingly, a little goes a very long way and once applied it might even be necessary to spread it thinner using Safety Cloth (the texture of this makes it ideal for this purpose).
The Microcrystalline Wax Stick is also perfect for use on the Buffing Wheel System, use it on Wheel C to buff up to a brilliant, hard wearing finish. -
Sale!
These jaws are a smaller version of the standard 50 mm jaws, featuring the same dovetail profile in expansion and the superb grip of the hawk beak design on contraction. Designed specifically for smaller spigots and recesses, this set is incredibly versatile and makes a great addition to any turner’s tool collection. Expansion: 38 - 58 mm Contraction Spigot: 28 - 47 mm Contraction Square: 16 - 37 mm -
Heartwood is light golden-yellow with streaks and veining being dark brown to almost black. Sapwood is wide and grey-white with darker markings. Interlocked or wavy grain with course texture. -
Sale!
This faceplate ring is ideal for holding medium sized bowl blanks and due to its strong hold is also suitable for more out of balance timber. It is held to the chuck using the standard 50 mm jaw set which comes complete with all Record Power chuck packages. Must be used with: 62313 50 mm Standard Jaws (Supplied with SC3 and SC4 chucks) Diameter: 87 mm -
Re-chucking bowls and platters for finishing or light shaping has always been something woodturners want to solve. The longworth style chuck makes it easy. This self-centring scroll operation quickly adjusts to fit the work and tightening only takes a few seconds. Designed for clamping in a traditional 4 jaw-self-centring chuck using standard 50mm dovetail jaws. It eliminates the time and hassle of removing and remounting chuck jaws needed when using regular re-chucking jaws. Non-Marking premium silicone grippers provide pliable yet firm gripping power Precision cut, plates provide ultimate performance and reliability 600 RPM maximum. Chuck size indicates the minimum lathe swing for which it is intended maximum external gripping capacity is approximately smaller than chuck diameter. -
A special calliper (ref 973) which makes dimensioning threaded or push fitments that much easier. -
Designed with an internal dovetail to fit securely onto the standard 2" (50mm) jaws. These rings work in the same way as normal faceplates but with the convenience of the easy chuck fitting. Available with an outer diameter of 3⅛" (80mm) and 4¾" (120mm). -
Specially designed to provide a strong contracting grip to unsupported spigot turning applications, e.g. vases and goblets. It can handle spigots from 30mm (13/36inch) to 50mm (2inch). Also features expanding grip mode. -
The ideal way to experiment with the different colours available to decide which ones you prefer, the Spirit Stain Kit contains one bottle (min. contents 25ml) of each of the nine colours. These are exactly the same stain as in the bigger bottles and will intermix if you want to vary the shades available.
The stains are very fade resistant, quick drying and non-grain raising.