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The white pigment in Liming Wax is Titanium Dioxide (TiO2) which gives it a brilliant white finish which will perfectly highlight open grain. Use Liming Wax on any open grained timber for a dramatic and striking effect which can be emphasised by using a stain or Ebonising Lacquer first. For an even better result use the Liming Brush first to open up the grain, allowing more Liming Wax to enter; spread the Liming Wax over the whole surface and then wipe off after a few minutes. The Liming Wax will stay in the open grain and the effect will be instantly visible. Whilst Liming Wax is a wax (obviously!), the wax is mainly a carrier for the white pigment. Therefore an overcoat of some kind is needed. WoodWax 22, Microcrystalline Wax, Finishing Oil or Hard Wax Oil are ideal for this and will lock the wax in place whilst keeping it clean and bright.
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These Mandrels are available separately or come as part of the buffing wheel kit. Both Mandrels are made in the UK and are zinc plated for maximum protection. Due to the limitations of plating a blind hole care should be taken to ensure the tapped thread of the large mandrel stays as dry as possible. The large mandrel is designed to be held in a lathe chuck. It is 25mm in diameter at its widest part, stepped to 18mm with an undercut for smaller chucks. It can be held on either, both will still give plenty of clearance from the chuck. The small mandrel is designed to be held in a jacobs chuck or similar and is especially suited to use with the smaller 4 inch wheels and the Dome Buffs.
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Melamine Lacquer can be a bit fiddly to apply and there’s no better way than spraying it. If you don’t have access to spray equipment then this aerosol version is the ideal way. Melamine Gloss Lacquer will quickly build to a bright gloss finish and dries in a matter of minutes. Touch dry and safe to handle within five minutes the lacquer chemically cures to give a tougher finish. The lacquer achieves practically all of this (about 90%) within seven days, after which the process slows and can take up to another two weeks to fully complete. Best used over a Cellulose Sanding Sealer (brushing or aerosol) and can be overcoated with a wax for a softer tactile feel.
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When you’re looking for a hard-wearing, heat and water resistant, quick drying gloss lacquer you need look no further than Melamine Lacquer. Based on cellulose technology, Melamine Lacquer has a catalyst suspended within it; when the lacquer is in the can it is inert but once applied and exposed to the air, the lacquer dries within five minutes like a cellulose and then the catalyst kicks in and the lacquer goes on to chemically cure to give a more durable coating. 90% of the curing process happens in the first seven days after application, making the lacquer very hard wearing, the remaining 10% of the process can take up to two weeks more to give maximum toughness, something you only need to consider if the lacquer is going to be subjected to extremely hard use. Melamine Lacquer is designed to give a full gloss finish which will be achieved with a very careful application. It can be applied by brush (foam or bristle), cloth or by spraying. Where necessary, use cellulose thinners to dilute the product – especially helpful if working on a large area. The gloss level of Melamine Lacquer can be increased by using burnishing cream once it has dried, and it can also be overcoated with friction polish (to increase the depth of the shine) or woodwax 22 or microcrystalline wax (for a more natural feel).
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This exciting range of water-based acrylic paints comes in 8 metallic colours. Designed to add an even shimmer to your work they will really make it glow. Mix and match them, use them to highlight certain areas or cover everything in them, the choice is yours. Best used over sanding sealers, apply a spray lacquer over them once dry to seal them in. Can be applied by cloth, brush, spray gun, air brush or any suitable medium you choose!
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Chestnut Products’ Microcrystalline Wax is a blend of high quality waxes rich in microcrystalline wax – a wax derived from the petroleum refining process and known for the fineness of its crystals. This is mixed with a special solvent to create a firm wax which, when dry, knits down to form a very dense coating making it very water resistant, meaning that it is ideal for any items that are likely to come into contact with water for short periods of time. Microcrystalline waxes also have a higher melting point than other waxes traditionally used to make polishing waxes, the benefit of which is that repeated handling of items finished in Microcrystalline Wax won’t finger mark in the same way, as the melting point is higher than normal body temperature. Microcrystalline Wax should be used over one of the Chestnut Products’ sanding sealers and allowed to dry (about 20 minutes) before buffing to a shine. For best results apply a very thin coat, spreading the wax evenly over the entire surface. Microcrystalline Wax can also be used on the buffing wheel system. In this situation use the A and B Wheel as normal, then apply the Microcrystalline Wax to the item you are polishing. Allow 20 minutes for the wax to dry then buff and normal using the C Wheel. You can use the same C Wheel for both Microcrystalline Wax and the Carnuaba Wax Stick. Microcrystalline Wax has been tested to the EN71 Part 3 regulations regarding coatings used on toys.
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This is the same wax Chestnut use in the tinned version of Microcrystalline Wax but in a solid block form with no solvent. This means there’s no waiting around for it to dry before buffing it. Like the original version, this wax should be used very sparingly, a little goes a very long way and once applied it might even be necessary to spread it thinner using Safety Cloth (the texture of this makes it ideal for this purpose). The Microcrystalline Wax Stick is also perfect for use on the Buffing Wheel System, use it on Wheel C to buff up to a brilliant, hard wearing finish.
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NyWeb pads are a non-woven nylon webbing with an abrasive – either silicon carbide or aluminium oxide – embedded into them to give an exactly defined cut.
- The Green pads are 400 grit
- The Red pads are 600 grit
- The Orange pads are 1000 grit
- The White pads do not contain an abrasive and are thus technically non-abrasive, but the very texture of the pads gives them an incredibly fine – but immeasurable – cut.
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Safety Cloth is a thick, non-woven paper cloth. Designed to stay wet longer to assist the transfer of finishes to your chosen surface, it also tears very easily if it gets caught in revolving parts thus avoiding the danger of fingers being dragged into machinery. The texture of Safety Cloth ensures that a thin, even coat is applied and the thickness means that it retains it’s strength and the same piece can be used several times with the same finish. Safety Cloth is not a replacement for common sense and good safety practise.
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Shellac Sanding Sealer is the traditional way of sealing timber prior to applying a polish or a wax. Chestnuts version has a high percentage of real shellac which means it does the job extremely well, dissolved in an ethanol solution to make it easy to apply and quick drying. Applied by cloth, brush or spray it dries in about 20 minutes, making it very popular for cabinet and architectural work as it is easy to keep a wet edge running. It is also popular with woodturners and highlights the natural grain of the timber extremely well. Sand back lightly after application and apply Friction Polish, French Polish or any of Chestnuts waxes on top. Conforms to EN71 Part 3 – suitable for toys and nursery furniture.
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An exciting and vibrant set of colours for staining wood, Spirit Stains are methanol based to make them quick drying and because of this they also will not raise the grain of the timber they are applied to. The pigments used to make this stains are of the highest quality and all score the top ratings of 7s and 8s in the Blue Wool Scale, the measuring system used to rate fade resistance. This means you can use them with confidence knowing that the colour you apply will still be the same many years later. Spirit Stains are fully inter-mixable so you can produce virtually any colour you can think of, giving you full opportunity to be as creative as you wish. The colours will also mix after application so you can blend from one colour to another for fantastic ‘flare’ effects. Spirit Stain White is designed primarily as a mixer to create pastel shades when mixed with other Spirit Stain colours. It can be used to stain timber but as it is a translucent stain this can have a limited effect depending on the base colour of the timber used. Should you want a more subtle colour you can dilute the stains with Spirit Thinners for a delicate wash effect.
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The ideal way to experiment with the different colours available to decide which ones you prefer, the Spirit Stain Kit contains one bottle (min. contents 25ml) of each of the nine colours. These are exactly the same stain as in the bigger bottles and will intermix if you want to vary the shades available.
The stains are very fade resistant, quick drying and non-grain raising. -
The ideal way to experiment with the different colours available to decide which ones you prefer, the Spirit Stain Kit contains one bottle (min. contents 25ml) of each of the twelve wood colours. These are exactly the same stain as in the bigger bottles and will intermix if you want to vary the shades available. The stains are very fade resistant, quick drying and non-grain raising.
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This clear, slower drying solvent is primarily for thinning our Spirit Stain to give delicate wash effects without affecting the colour (as methylated spirit would). It can also be used to dilute Friction Polish or French Polish if needed (usually only when the cap has been left off and the product has thickened up). It’s also suitable for use in making french polish if you want to dissolve shellac flakes in it.
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Out of stockChestnut Spray Diffusers are ideal for applying Spirit Stain; one end goes in the stain and you blow through the other end for your own mini-spray gun. Great for special decorative effects.
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The finest of Steel Wool, very low crumble and virtually oil free to ensure there is no contamination of your work. Use it after sanding with abrasive sheets to give an ultra smooth surface, or to apply waxes to smooth the timber whilst applying a thin coat. Steel Wool burns very quickly and easily; keep it away from sources of combustion (i.e. sparks etc). Always use a knife or scissors to cut Steel Wool
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Tack Cloths are coated with a special, sticky resin. The resin doesn’t transfer off the cloth but when you wipe it across a surface it picks up and dust and removes it, leaving behind a clean surface ready for finishing. This makes it ideal for use after your final sanding to make sure that all of the sawdust generated is removed and doesn’t affect your finishing. Tack Cloths are supplied in a sealed wrapper; once opened store them in an air-tight container to prevent them from drying out. Do not use Tack Cloth with the lathe running.
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Tung Oil, or Chinese Wood Oil as it’s sometimes called, is a natural oil derived from the seed of the nut of the tung tree. The jury is out as to whether it can spark a nut allergy. Tung Oil air dries to form a tough, hard film that has a fairly strong amber tint. Because it doesn’t have any solvent or driers in it it can take a while to dry, and dependant on conditions this can be up to a week although 48 hours is more common. As with most finishes a thinner coat will dry quicker. Normally applied with a brush or cloth.
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Woodturners stick wax is a mixture of beeswax and carnauba wax it is slightly softer than the Carnauba Wax Stick and therefore slightly easier to apply and there are no concerns about it marking softer woods. Applied over a sanding sealer, simply hold the stick against the revolving work and allow the heat generated to melt the wax onto the wood. Buff up straight away using Safety Cloth, using the cloth to ensure an even coating.
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WoodWax 22 contains beeswax (for shine) and carnauba wax (for hardness). Blended together in a solvent to produce a soft creamy paste. This makes it very easy to apply over any surface. WoodWax 22 is quick drying enough to be applied onto unsealed wood but works best on one of Chestnuts sanding sealers. If working on the lathe the wax should be applied with the lathe stopped. Apply using a cloth (Safety Cloth or Stockinette works well with this); the wax spreads easily over the surface, after about 20 seconds it starts to drag slightly. This means it is ready to buff up; if you haven’t covered the whole piece by then don’t worry, just take a little more wax from the tin and carry on applying, the wax won’t mind waiting! It’s best to buff WoodWax 22 as soon as you can; that way any surplus wax that might have been applied will be removed, allowing the shine to really show through. If working on the lathe Safety Cloth should be used for the buffing process and let the lathe do the work for you. Off the lathe Safety Cloth or Stockinette can be used. A second or even third coat of wax can be applied if required, leaving about twenty minutes between coats. After three coats the finish can become softer and will mark very easily.
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Out of stockReplacement cloth filter bag for the motors of CamVac extraction machines.
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Only the heartwood of cocobolo is used; it is usually orange or reddish-brown, often with darker irregular traces weaving through the wood. The heartwood changes colour after being cut, and can be polished to a lustrous, glassy finish; being quite dense, sometimes having a specific gravity of over 1.0, it will sink in water. The sapwood (not often used) is a creamy yellow, with a sharp boundary between it and the heartwood.
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The Compendium of Wooden Wand Making Techniques is here to show you how simple making wands can be – no mysterious magic necessary! In the first-ever guide for muggles to making wands, you’ll learn how to hand carve, power carve, wood turn, and scroll saw 20 unique projects that are sure to delight and manage mischief. Be inspired with a gallery of beloved staff-carrying and wand-wielding characters from the infamous Harry Potter and Lord of the Rings series, then use the Wand Sketchbook section to design your own original wands! From there, five wand projects for each woodworking technique are presented with step-by-step instructions, coordinating photography, and patterns. Conjuring up wooden wands might seem like a magical and mysterious process, but the Compendium of Wooden Wand Making Techniques is here to show you how simple it can be! In the first-ever guide to making wands, you’ll learn how to hand carve, power carve, wood turn, and scroll saw 20 unique projects that are sure to delight and manage mischief. Be inspired with a gallery of beloved staff-carrying and wand-wielding characters from the infamous Harry Potter and Lord of the Rings series – from Albus Dumbledore, Hermione Granger, and Severus Snape to Gandalf, Saruman, and several others. Woven throughout these gallery pages are images of wands you can make in the book that are thematically similar – but distinct from – these iconic wands and staffs! Also provided is a Wand Sketchbook section as a jump-off point for you to design wands of your own, along with areas to include your original wand’s name, wood type, length, core, and special skills. From there, five wand projects for each woodworking technique are presented with step-by-step instructions, coordinating photography, and patterns. A complete project collection that’s truly the first of its kind, this book is a must-have source of inspiration that belongs in any muggle’s and woodworker’s library who has a love for all things fiction and fantasy!
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Get fired up and learn the latest! Whether you’re new to pyrography or a skilled artisan, you’ll want this newest edition of Stephen Poole's bestseller, The Complete Pyrography. It is the go-to resource for learning the latest on the craft and includes features on the best pyrography artisans and an extensive gallery of their artwork. All new, and completely revised. This bestselling, classic resource and reference book is better than ever and a must-have for anyone interested in this popular craft. It covers all this and more:
- Improved best practices
- Required materials and equipment for creating “burnt wood art decoration”
- An inspiring collection of artwork depicted in stunning color photographs
- Invaluable tips on how to display and market your art for sale
- A history of pyrography
- How-to techniques
- Step-by-step instructions
- Essential skills
- Hot wire and solid point methods
- Color work
- Gouache: pros and cons
- Watercolor
- Wood stains
- Directions for working on woodturned objects
- How to protect and professionally finish your work
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This book will guide you through the various health and safety issues, the tools and equipment needed to get the best out of your woodturning, mastering the basic techniques and how to add decorative features. Nick Arnull illustrates how to use highly original decorative methods and artistic skills to complete the finished projects. Each project includes easy-to-follow instructions and detailed photography to inspire you to take what you have learnt and apply these skills to your own work.
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Part of the exclusive range of Coronet lathes from Record Power, the Envoy is perfect for the woodturner who regularly needs the power, stability and capacities necessary for large scale work. Designed as a natural progression from the Coronet Herald, it is supported by large and heavy integral cast iron legs to give ample protection from vibration while turning out of balance timbers.
The overall heavy-duty construction of the machine, along with the finely engineered and machined components make this lathe a pleasure to use. -
This live centre features two high quality sealed-for-life bearings, giving incredibly smooth rotation and the 60º point is optimised to give the best grip possible from a single point of contact. It is ideal for use on spindle work and can also be used to support headstock mounted bowls and larger vessels from the tailstock.
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This ring centre features two high quality sealed-for-life bearings, giving extremely smooth rotation. The ring design gives a larger area of contact than a traditional live centre for an increased grip. This makes it ideal for supporting small or brittle timbers and works very well with paper-jointed blanks, giving a strong grip to both pieces of timber either side of the joint. Another great advantage of this design is that workpieces can be removed and refitted to the lathe accurately, thanks to the positive location of the centre point and ring, which can be used for easy registration.
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This live centre kit gives woodturners a huge amount of flexibility, allowing for a wide range of work to be undertaken. The finely engineered live centre body features two sealed-for-life bearings for faultless, smooth performance. The high-precision manufacture ensure that the tips are a perfect fit in the live centre body and a rubber O-ring holds them in place securely. The tips are easily removed from the lathe tailstock using the supplied knockout bar. In addition to the many operations the tips make possible, the live centre body itself can be used to carry out long hole boring – with no tips fitted, it acts as a ring centre to support the workpiece and the body is fully bored to accept the standard 5/16” (8 mm) long hole boring augers.
Coronet Falcon Interchangeable Live Centre Traditional Tip
This traditional design features a 60º tip, to give effective penetration into the workpiece, supporting large timbers well. It is ideal for use on spindle work and can also be used to support headstock-mounted bowls and larger vessels from the tailstock. Internal support can be given to pre-bored timbers with bores from 1 to 43 mm in diameter, across the full range of the live centre cone taper.
Coronet Falcon Interchangeable Live Centre Detail Tip
This elongated single-point tip gives greater access to the workpiece at the tailstock - ideal for removing the bottoms of bowls, creating small dowels and much more. The tip is angled at 90º rather than the traditional 60º, ensuring the load is spread across a larger area, reducing the chance of splitting small, delicate workpieces.
Coronet Falcon Interchangeable Live Centre Multi-Tooth Tip
This multi-tooth live centre tip features a ring of teeth around the circumference, with a central drive point to give accurate positioning. This design gives an extremely strong grip, thanks to the many points of contact in the timber, which also minimises the risk of splitting the timber.
As the grip is spread across many small teeth rather than 4 or 6 prongs, it is possible to grip the timber sufficiently just by using the clamping pressure of the lathe tailstock.
Another benefit of this design is that your work can be removed from the lathe and accurately repositioned, using the markings created in the timber by the centre point and ring of teeth as an accurate guide.
This tip also gives a fantastic grip to paper-joint wood blanks, as the ring of teeth grip on many points across the drive’s circumference across both sections of wood on either side of the joint.
It makes an ideal partner to the range of Coronet Hawk Multi-Tooth Drive Centres, allowing timber to be held securely at both ends of the lathe quickly, easily and accurately.
Coronet Falcon Interchangeable Live Centre Pen Turning Tip
The pen turning tip is a game-changer for pen turners. Rather than use the screw at the tailstock end of the pen mandrel to secure the pen blanks, mechanisms and spacers in place, the pen turning tip simply slides over the mandrel and registers against the spacers. Tailstock clamping pressure is then used to secure the pen components in place between the headstock and tailstock.
This method means that no pressure is applied to the mandrel itself, eliminating the risk of bowing the mandrel which can cause the final pen to have uneven wall thickness, which in turn stops the pen’s components aligning correctly. Using the pen tip will help you create the most accurate and well-made pen possible. In addition, this method is fast, easy and secure, making it a great time-saving operation for prolific pen turners.
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- The design of the 6-prong drive centres offers an enhanced grip to timber using the principle of opposing tooth profiles. The central point of the tool secures the drive centre in place, the six teeth around it grip the timber securely and the opposing tooth pattern ensures the wood fibres are pulled together to reduce the chance of splitting. Having two more teeth than the traditional 4-prong drive centres, they are ideal for use on hardwoods and larger pieces of wood.
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- The multi-tooth drive centres feature a ring of teeth around the circumference of the tip, with a central drive point to give accurate positioning. This design gives an extremely strong grip, thanks to the many points of contact in the timber, which also minimises the risk of splitting the timber.
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The central locating pin of the drive centre retracts into its body when pressure is applied from the lathe tailstock, leaving the ring of teeth around the circumference to hold the workpiece extremely securely, with clamping pressure spread evenly across the teeth. The retraction of the locating pin means it cannot split the timber, making it ideal for use with smaller and more delicate work.The locating pin tension is adjustable, allowing for lower tension to be set for small, delicate workpieces and higher tension for use with hard woods and large timbers.Another key benefit of this design is that the workpiece can be removed from the lathe if required and easily repositioned, using the indentations created by the locating pin and ring of teeth as an accurate guide.
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This brand new lathe from Record Power represents the culmination of many decades of expertise in the manufacture and supply of superior woodturning lathes. Developed with the help of professional woodturners and keen hobbyists, Record believe they have produced a world-class machine for woodturners of all levels. Thanks to a number of innovative design solutions the capabilities, features and performance of the Herald far exceed anything a machine of this size has been capable of before - It brings top-end professional performance at a fraction of the size and cost of comparable heavy-duty machines.To reflect the Record Power heritage in a modern context, the look of the lathe incorporates the elegant and balanced curves of the earlier Coronet series in a more streamlined and efficient form. As well as looking great, the Herald feels great - the excellence of engineering, ergonomics and quality manufacturing can be felt throughout, making the lathe a pleasure to use whilst delivering rock solid performance.
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Regent Variable Speed Lathe is the largest lathe in the exclusive range of Coronet lathes from Record Power and is ideal for the woodturner who regularly needs the power, stability and capacities necessary for very large scale work. It is supported by large and heavy integral cast iron legs to give ample protection from vibration while turning out of balance timbers. The overall heavy-duty construction of the machine, along with the finely engineered and machined components make this lathe a pleasure to use.
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Out of stockCrowns heavy duty Scrapers 1 1/2" 38mm x 3/8" 10mm help keep vibration to a minimum.
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Sale!Designed in conjunction with the professional British woodturner, Albert Harrison, this tool is excellent for cleaning out small boxes and goblets, giving an extremely clean finish.
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The Diamond Point cutter has 15mm long edges, perfect for fine detailing, deep vee cuts, and the side edges can refine convex curves. Crown Carbide Pro turning tools are highly efficient when turning wood and are very effective when turning acrylic, polyester and resin. The tool has 20mm x 13mm shaft made from chrome vanadium steel. The weight keeps the tool on the tool's rest and, combined with a 355mm long handle, ensures effortless control. In use, the tool works best when flat and level, cutting at centre height or, with the handle slightly raised, cutting just below centre. The sides of the bar have a gentle radius allowing controlled shear cuts. Each tool comes with a hex key and spare machine screws.
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The Round Carbide cutter turning tool has a circular cutting tip, 15mm in diameter. The profile makes it ideal for cutting coves in spindle work. Crown Carbide Pro turning tools are highly efficient when turning wood and are very effective when turning acrylic, polyester and resin. The tool has 20mm x 13mm shaft made from chrome vanadium steel. The weight keeps the tool on the tool's rest and, combined with a 355mm long handle, ensures effortless control. In use, the tool works best when flat and level, cutting at centre height or, with the handle slightly raised, cutting just below centre. The sides of the bar have a gentle radius allowing controlled shear cuts. Each tool comes with a hex key and spare machine screws.
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The Square Tip tool features a 15mm square cutting tip, each side having a very slight radius. It can remove quite a lot of material quickly. On the other hand it is more than capable of delicate refining cuts, flat or at a shear angle. Crown Carbide Pro turning tools are highly efficient when turning wood and are very effective when turning acrylic, polyester and resin. The tool has 20mm x 13mm shaft made from chrome vanadium steel. The weight keeps the tool on the tool's rest and, combined with a 355mm long handle, ensures effortless control. In use, the tool works best when flat and level, cutting at centre height or, with the handle slightly raised, cutting just below centre. The sides of the bar have a gentle radius allowing controlled shear cuts. Each tool comes with a hex key and spare machine screws.
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These unique tools developed by the well respected North American woodturner, Dave Hout, are used for making finished cuts when producing bowls. The cut is shear and leaves the end grain smooth. With practice, sanding can be all but eliminated. The two tool set consists of one tool with a deeper flute to be used on bowls up to 5" -
6" in diameter. The shallower tool is for use on bowls 6" and larger in diameter. -
Out of stockCrown Hand Tools Miniature Spiralling system, complete with a 17 and a 27 tooth wheel.
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Out of stockAnother 'Crown' special, this long boring tool is made completely from High Speed Steel with a spiral flute, which results in removing wood easier and quicker than ordinary Augers.
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The ideal beginners set. These small carving tools, made from high quality hardened and tempered Carbon steel, are fitted with stained Beech handles. The ready honed blades feature 5/16" 8mm Square Chisel, 5/16" 8mm Bent Square Chisel, 5/16" 8mm Skew Chisel, 3/16" 5mm Straight Gouge, 5/16" 8mm Bent Gouge and 3/16" 5mm Bent 'V' tool.
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M42 Razor Edge 3/16" Diamond Parting Tool combine the use of cobalt infused M42 HSS with Crown's sophisticated cryogenic treatment process to give a superior cutting edge. With beautifully crafted and distinctive 'Copper Black' handles to their 'Super Sharp Blades' these chisels are worthy of a woodturners tool collection.
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Crown Tools Ultra high performance 'Razor Edge' lathe turning tools combine the use of cobalt infused M42 HSS with Crown's sophisticated cryogenic treatment process to give a superior cutting edge. With beautifully crafted and distinctive 'Copper Black' handles to their 'Super Sharp Blades' these chisels are worthy of a woodturners tool collection.
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Crown Tools Ultra high performance 'Razor Edge' lathe turning tools combine the use of cobalt infused M42 HSS with Crown's sophisticated cryogenic treatment process to give a superior cutting edge. With beautifully crafted and distinctive 'Copper Black' handles to their 'Super Sharp Blades' these chisels are worthy of a woodturners tool collection.
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Crown Tools Ultra high performance 'Razor Edge' lathe turning tools combine the use of cobalt infused M42 HSS with Crown's sophisticated cryogenic treatment process to give a superior cutting edge. With beautifully crafted and distinctive 'Copper Black' handles to their 'Super Sharp Blades' these chisels are worthy of a woodturners tool collection.
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Crown Tools Ultra high performance 'Razor Edge' lathe turning tools combine the use of cobalt infused M42 HSS with Crown's sophisticated cryogenic treatment process to give a superior cutting edge. With beautifully crafted and distinctive 'Copper Black' handles to their 'Super Sharp Blades' these chisels are worthy of a woodturners tool collection.