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These extended jaws act like a pin chuck, expanding into a pre-bored hole. A useful technique for free form edge bowls as you don't have to bore an exact size as with other pin jaws. The longer jaws allow for a very powerful spigot grip for smaller work. Also features a small dovetail. Expansion 26 - 46mm Contraction square: 28 - 7mm Contraction spigot 31 - 10mm
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This exciting range of water-based acrylic paints comes in 8 metallic colours. Designed to add an even shimmer to your work they will really make it glow. Mix and match them, use them to highlight certain areas or cover everything in them, the choice is yours. Best used over sanding sealers, apply a spray lacquer over them once dry to seal them in. Can be applied by cloth, brush, spray gun, air brush or any suitable medium you choose!
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These Dispensing Nozzles are, in fact, almost indispensable! They fit onto any of Chestnuts' plastic bottles in the 250ml, 500ml and 1 ltr sizes, simply replacing the existing cap. Cut the tip off to the size you want and use the handy cover to reseal them when not in use. A useful by product of using these is that if you knock a bottle over the amount you lose through the small nozzle will be much less than without it. Just don’t forget to take the nozzle off the bottle before you throw it away so that you can re-use it! These nozzles are not child resistant, the correct closure should be replaced when the product is not in use.
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An exciting and vibrant set of colours for staining wood, Spirit Stains are methanol based to make them quick drying and because of this they also will not raise the grain of the timber they are applied to. The pigments used to make this stains are of the highest quality and all score the top ratings of 7s and 8s in the Blue Wool Scale, the measuring system used to rate fade resistance. This means you can use them with confidence knowing that the colour you apply will still be the same many years later. Spirit Stains are fully inter-mixable so you can produce virtually any colour you can think of, giving you full opportunity to be as creative as you wish. The colours will also mix after application so you can blend from one colour to another for fantastic ‘flare’ effects. Spirit Stain White is designed primarily as a mixer to create pastel shades when mixed with other Spirit Stain colours. It can be used to stain timber but as it is a translucent stain this can have a limited effect depending on the base colour of the timber used. Should you want a more subtle colour you can dilute the stains with Spirit Thinners for a delicate wash effect.
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The ideal way to experiment with the different colours available to decide which ones you prefer, the Spirit Stain Kit contains one bottle (min. contents 25ml) of each of the twelve wood colours. These are exactly the same stain as in the bigger bottles and will intermix if you want to vary the shades available. The stains are very fade resistant, quick drying and non-grain raising.
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The ideal way to experiment with the different colours available to decide which ones you prefer, the Spirit Stain Kit contains one bottle (min. contents 25ml) of each of the nine colours. These are exactly the same stain as in the bigger bottles and will intermix if you want to vary the shades available.
The stains are very fade resistant, quick drying and non-grain raising. -
Re-chucking bowls and platters for finishing or light shaping has always been something woodturners want to solve. The longworth style chuck makes it easy. This self-centring scroll operation quickly adjusts to fit the work and tightening only takes a few seconds. Designed for clamping in a traditional 4 jaw-self-centring chuck using standard 50mm dovetail jaws. It eliminates the time and hassle of removing and remounting chuck jaws needed when using regular re-chucking jaws. Non-Marking premium silicone grippers provide pliable yet firm gripping power Precision cut, plates provide ultimate performance and reliability 600 RPM maximum. Chuck size indicates the minimum lathe swing for which it is intended maximum external gripping capacity is approximately smaller than chuck diameter.
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Sale!This faceplate ring is ideal for holding medium sized bowl blanks and due to its strong hold is also suitable for more out of balance timber. It is held to the chuck using the standard 50 mm jaw set which comes complete with all Record Power chuck packages. Must be used with: 62313 50 mm Standard Jaws (Supplied with SC3 and SC4 chucks) Diameter: 87 mm
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Sale!These jaws are a smaller version of the standard 50 mm jaws, featuring the same dovetail profile in expansion and the superb grip of the hawk beak design on contraction. Designed specifically for smaller spigots and recesses, this set is incredibly versatile and makes a great addition to any turner’s tool collection. Expansion: 38 - 58 mm Contraction Spigot: 28 - 47 mm Contraction Square: 16 - 37 mm
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This is the same wax Chestnut use in the tinned version of Microcrystalline Wax but in a solid block form with no solvent. This means there’s no waiting around for it to dry before buffing it. Like the original version, this wax should be used very sparingly, a little goes a very long way and once applied it might even be necessary to spread it thinner using Safety Cloth (the texture of this makes it ideal for this purpose). The Microcrystalline Wax Stick is also perfect for use on the Buffing Wheel System, use it on Wheel C to buff up to a brilliant, hard wearing finish.
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This is a solid block of carnauba wax, popular with woodturners. It gives a bright gloss finish and is also very hard wearing, able to withstand a medium amount of handling without showing finger marks. Apply over a sanding sealer by holding it against your work at it revolves on the lathe. Do not press too much – the wax is very hard and can scratch softer woods – the idea is to generate enough heat for the wax to melt slightly and transfer onto the wood. (This is easier than it sounds!). Use sparingly, and use the polishing process (using safety cloth) to ensure the wax is spread evenly. Buffing will produce a high gloss finish.
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Woodturners stick wax is a mixture of beeswax and carnauba wax it is slightly softer than the Carnauba Wax Stick and therefore slightly easier to apply and there are no concerns about it marking softer woods. Applied over a sanding sealer, simply hold the stick against the revolving work and allow the heat generated to melt the wax onto the wood. Buff up straight away using Safety Cloth, using the cloth to ensure an even coating.
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Sale!Featuring a specialised dovetail profile, these jaws are ideal for turning large bowls, green timber and hollow vessels. They combine the profile of our previously popular 100 mm dovetail jaws with a deep body and internal teeth to improve versatility. The outer dovetail jaws are ideal for large bowls or platters, particularly when gripping onto a spigot and the deep internal toothed body is ideal for large spigots of large hollow vessels. Expansion: 94 - 114 mm Contraction Spigot: 76 - 95 mm Contraction Square: 54 - 74 mm
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Melamine Lacquer can be a bit fiddly to apply and there’s no better way than spraying it. If you don’t have access to spray equipment then this aerosol version is the ideal way. Melamine Gloss Lacquer will quickly build to a bright gloss finish and dries in a matter of minutes. Touch dry and safe to handle within five minutes the lacquer chemically cures to give a tougher finish. The lacquer achieves practically all of this (about 90%) within seven days, after which the process slows and can take up to another two weeks to fully complete. Best used over a Cellulose Sanding Sealer (brushing or aerosol) and can be overcoated with a wax for a softer tactile feel.
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Out of stockDeep orange-brown timber with broad medullary rays creating a flame pattern on quarter cut faces or numerous spots on flat sawn surfaces. Hard and heavy with a slightly coarse texture.
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Ebonising Lacquer is a tough, hard-wearing water-based lacquer. It is heavily pigmented so that when it is dry it emulates the classic satin look of ebony. Usually applied over a sanding sealer (either Cellulose Sanding Sealer or Acrylic Sanding Sealer aerosol) it is touch dry in about five minutes and hard dry after twenty minutes. Although heavily pigmented it is not paint and will still allow the grain of the timber to show through, rather than obliterating it completely. Liming Wax and Gilt Cream can be applied over Ebonising Lacquer to give a pleasing, eye-catching yet very simple artistic effect. If a bright gloss finish is required from Ebonising Lacquer this is best achieved by using Burnishing Cream on the lacquer with will polish it up to a high gloss. Acrylic Gloss Lacquer can also be applied on top of Ebonising Lacquer, as can WoodWax 22 and Microcrystalline Wax.
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When you need to protect your work but don’t want an overpowering shine on it, Acrylic Satin Lacquer is an ideal choice. With the benefit of an easy aerosol application, especially useful on awkward shapes, this is a hard wearing water based lacquer that will protect whatever it’s put onto, leaving an attractive satin sheen. Acrylic Satin Lacquer is touch dry and dust free in about five minutes and hard dry about 20 minutes, ready for a second coat if needed after a light cut back with a fine abrasive. For best results it should be used over either Cellulose Sanding Sealer or the Acrylic Sanding Sealer aerosol. If you have a change of heart on the finish the lacquer can be brought to a gloss by using either Burnishing Cream or the Buffing Wheel Kit. Or you can simply apply a coat of Acrylic Gloss Lacquer!
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Sale!Featuring a specialised dovetail profile, these jaws are ideal for turning up to 30” bowls. They also feature a reverse dovetail for a contracting grip on large spigots. Expansion: 125 - 145 mm Contraction Spigot: 104 - 123 mm Contraction Square: 74 - 94 mm .
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If you don’t have access to spraying equipment, this aerosol lacquer will give you a great finish quickly and easily. A spray application is particularly relevant when trying to achieve the best gloss finish possible. Acrylic Gloss Lacquer is a high build water based lacquer specially adapted to give the best delivery through the nozzle (chosen to give excellent results without spitting, spotting or clogging in normal use) without, of course, the use of CFCs. The lacquer itself dries quickly to give a high gloss finish straight from the can which has the benefit of being extremely hard wearing and durable – so much so that it can be used on items that will be kept outdoors or used in areas where moisture could damage other finishes. Acrylic Gloss Lacquer is touch dry and tack free in around five minutes and hard dry in twenty minutes, ready for a second coat if needed after a light rubdown with a fine abrasive. The sheen level can be increased if required by using Burnishing Cream (which will not affect the durability) or, after allowing 24 hours to ensure it is completely hard dry, by using it in conjunction with the Buffing Wheel Kit.
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Getting a good base for your finishing is essential when you want to get a great finish. Sometimes the piece you’re working on makes that more difficult due to its shape or size or for many other reasons. Or sometimes you just want a quicker, cleaner method of applying a sealer. That’s where Cellulose Sanding Sealer in an aerosol comes into its own. Basically the same product as in the tin, it has all the same benefits of quick drying and universal compatibility, it also has the added advantage of being easier both to apply and to get an even coating. Use it before applying waxes, lacquers and polishes for a more durable final finish.
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It’s important to use a sanding sealer on most items; it gives a good foundation to your piece and can help the next coat to adhere properly to the timber. Chestnut Acrylic Sanding Sealer does this perfectly and is designed to be used with Acrylic Gloss Lacquer, Acrylic Satin Lacquer, Ebonising Lacquer, any of their polishes and any of their waxes. Supplied in an easy to use aerosol the dried coating complies with the EN71 Part 3 regulations governing toys and nursery furniture. Once dried lightly sand back prior to applying your top coat.
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Panga Panga is extraordinary in its rarity as it is only found, in commercially viable quantities, inMozambique. Its dark colours, with rich parenchyma bands brings a touch of the exotic to finished pieces. The heartwood is dark chocolate brown with paler broad bands. At 880kg/m3 the heartwood is extremely durable. It sands and finishes well.