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The white pigment in Liming Wax is Titanium Dioxide (TiO2) which gives it a brilliant white finish which will perfectly highlight open grain. Use Liming Wax on any open grained timber for a dramatic and striking effect which can be emphasised by using a stain or Ebonising Lacquer first. For an even better result use the Liming Brush first to open up the grain, allowing more Liming Wax to enter; spread the Liming Wax over the whole surface and then wipe off after a few minutes. The Liming Wax will stay in the open grain and the effect will be instantly visible. Whilst Liming Wax is a wax (obviously!), the wax is mainly a carrier for the white pigment. Therefore an overcoat of some kind is needed. WoodWax 22, Microcrystalline Wax, Finishing Oil or Hard Wax Oil are ideal for this and will lock the wax in place whilst keeping it clean and bright. -
Cut’n’Polish is a blend of two waxes with a fine abrasive held in suspension within them. This is a soft wax designed to stay ‘wet’ slightly longer during application, allowing it to lubricate the abrasive to give a very fine cut to the timber and also to collect any dust generated during use and some subsequent sanding, preventing it from entering the workshop atmosphere. On bare wood; sand to 240 grit as normal, apply a coat of Cut’n’Polish with the lathe stopped, then switch on the lathe and buff to a soft sheen whilst smoothing the timber at the same time. On sealed wood apply after the sealer in the same way, polishing to a slightly higher shine. Cut’n’Polish dries almost immediately and can be overcoated with Friction Polish or any Chestnut waxes for a higher shine. -
Chestnut Products’ Microcrystalline Wax is a blend of high quality waxes rich in microcrystalline wax – a wax derived from the petroleum refining process and known for the fineness of its crystals.
This is mixed with a special solvent to create a firm wax which, when dry, knits down to form a very dense coating making it very water resistant, meaning that it is ideal for any items that are likely to come into contact with water for short periods of time.
Microcrystalline waxes also have a higher melting point than other waxes traditionally used to make polishing waxes, the benefit of which is that repeated handling of items finished in Microcrystalline Wax won’t finger mark in the same way, as the melting point is higher than normal body temperature.
Microcrystalline Wax should be used over one of the Chestnut Products’ sanding sealers and allowed to dry (about 20 minutes) before buffing to a shine.
For best results apply a very thin coat, spreading the wax evenly over the entire surface.
Microcrystalline Wax can also be used on the buffing wheel system. In this situation use the A and B Wheel as normal, then apply the Microcrystalline Wax to the item you are polishing. Allow 20 minutes for the wax to dry then buff and normal using the C Wheel. You can use the same C Wheel for both Microcrystalline Wax and the Carnuaba Wax Stick.
Microcrystalline Wax has been tested to the EN71 Part 3 regulations regarding coatings used on toys.
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These new jaws are ideal for heavy bowls and vases. The wide front face provides a good register for the base of the bowl or vase and the deep toothed body provides strong grip on the spigot. The internal gripper can also be used on smaller rough green timber. Also featuring an external dovetail in expansion, they can be used for large platters. A truly versatile and solid jaw set. Expansion: 81 - 102 mm Contraction Spigot: 46 - 65 mm Contraction Square: 33 - 54 mm -
Panga Panga is extraordinary in its rarity as it is only found, in commercially viable quantities, inMozambique. Its dark colours, with rich parenchyma bands brings a touch of the exotic to finished pieces. The heartwood is dark chocolate brown with paler broad bands. At 880kg/m3 the heartwood is extremely durable. It sands and finishes well. -
Panga Panga is extraordinary in its rarity as it is only found, in commercially viable quantities, inMozambique. Its dark colours, with rich parenchyma bands brings a touch of the exotic to finished pieces. The heartwood is dark chocolate brown with paler broad bands. At 880kg/m3 the heartwood is extremely durable. It sands and finishes well.
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It’s important to use a sanding sealer on most items; it gives a good foundation to your piece and can help the next coat to adhere properly to the timber.
Chestnut Acrylic Sanding Sealer does this perfectly and is designed to be used with Acrylic Gloss Lacquer, Acrylic Satin Lacquer, Ebonising Lacquer, any of their polishes and any of their waxes.
Supplied in an easy to use aerosol the dried coating complies with the EN71 Part 3 regulations governing toys and nursery furniture.
Once dried lightly sand back prior to applying your top coat.
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Getting a good base for your finishing is essential when you want to get a great finish. Sometimes the piece you’re working on makes that more difficult due to its shape or size or for many other reasons.
Or sometimes you just want a quicker, cleaner method of applying a sealer.
That’s where Cellulose Sanding Sealer in an aerosol comes into its own. Basically the same product as in the tin, it has all the same benefits of quick drying and universal compatibility, it also has the added advantage of being easier both to apply and to get an even coating.
Use it before applying waxes, lacquers and polishes for a more durable final finish.
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If you don’t have access to spraying equipment, this aerosol lacquer will give you a great finish quickly and easily. A spray application is particularly relevant when trying to achieve the best gloss finish possible. Acrylic Gloss Lacquer is a high build water based lacquer specially adapted to give the best delivery through the nozzle (chosen to give excellent results without spitting, spotting or clogging in normal use) without, of course, the use of CFCs.
The lacquer itself dries quickly to give a high gloss finish straight from the can which has the benefit of being extremely hard wearing and durable – so much so that it can be used on items that will be kept outdoors or used in areas where moisture could damage other finishes.
Acrylic Gloss Lacquer is touch dry and tack free in around five minutes and hard dry in twenty minutes, ready for a second coat if needed after a light rubdown with a fine abrasive.
The sheen level can be increased if required by using Burnishing Cream (which will not affect the durability) or, after allowing 24 hours to ensure it is completely hard dry, by using it in conjunction with the Buffing Wheel Kit.
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Featuring a specialised dovetail profile, these jaws are ideal for turning up to 30” bowls. They also feature a reverse dovetail for a contracting grip on large spigots. Expansion: 125 - 145 mm Contraction Spigot: 104 - 123 mm Contraction Square: 74 - 94 mm . -
When you need to protect your work but don’t want an overpowering shine on it, Acrylic Satin Lacquer is an ideal choice. With the benefit of an easy aerosol application, especially useful on awkward shapes, this is a hard wearing water based lacquer that will protect whatever it’s put onto, leaving an attractive satin sheen.
Acrylic Satin Lacquer is touch dry and dust free in about five minutes and hard dry about 20 minutes, ready for a second coat if needed after a light cut back with a fine abrasive.
For best results it should be used over either Cellulose Sanding Sealer or the Acrylic Sanding Sealer aerosol.
If you have a change of heart on the finish the lacquer can be brought to a gloss by using either Burnishing Cream or the Buffing Wheel Kit. Or you can simply apply a coat of Acrylic Gloss Lacquer!
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Deep orange-brown timber with broad medullary rays creating a flame pattern on quarter cut faces or numerous spots on flat sawn surfaces. Hard and heavy with a slightly coarse texture. -
Ebonising Lacquer is a tough, hard-wearing water-based lacquer. It is heavily pigmented so that when it is dry it emulates the classic satin look of ebony.
Usually applied over a sanding sealer (either Cellulose Sanding Sealer or Acrylic Sanding Sealer aerosol) it is touch dry in about five minutes and hard dry after twenty minutes.
Although heavily pigmented it is not paint and will still allow the grain of the timber to show through, rather than obliterating it completely.
Liming Wax and Gilt Cream can be applied over Ebonising Lacquer to give a pleasing, eye-catching yet very simple artistic effect.
If a bright gloss finish is required from Ebonising Lacquer this is best achieved by using Burnishing Cream on the lacquer with will polish it up to a high gloss.
Acrylic Gloss Lacquer can also be applied on top of Ebonising Lacquer, as can WoodWax 22 and Microcrystalline Wax.
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Out of stock
Deep orange-brown timber with broad medullary rays creating a flame pattern on quarter cut faces or numerous spots on flat sawn surfaces. Hard and heavy with a slightly coarse texture.
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Sovereign Threaded Coupler, this handy accessory allows the turner to easily customise handle length. Use to join handles together. -
The heartwood is light and dark chocolate brown. At 1010kg's/m3 the wood is hard, heavy, durable, close-grained and resistant to termites. When freshly worked it has a distinctive, sweetish smell.It sands and finishes well to a satin lustre. It is used in musical instruments, turning and carving. -
The Sovereign Extension is a useful addition to the range of accessories. Custom-made during the development of the new Sovereign sets. This 4" extension adds length to any Sovereign handle. NOTE: a threaded coupler is required. -
Melamine Lacquer can be a bit fiddly to apply and there’s no better way than spraying it. If you don’t have access to spray equipment then this aerosol version is the ideal way.
Melamine Gloss Lacquer will quickly build to a bright gloss finish and dries in a matter of minutes.
Touch dry and safe to handle within five minutes the lacquer chemically cures to give a tougher finish. The lacquer achieves practically all of this (about 90%) within seven days, after which the process slows and can take up to another two weeks to fully complete.
Best used over a Cellulose Sanding Sealer (brushing or aerosol) and can be overcoated with a wax for a softer tactile feel.
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Featuring a specialised dovetail profile, these jaws are ideal for turning large bowls, green timber and hollow vessels. They combine the profile of our previously popular 100 mm dovetail jaws with a deep body and internal teeth to improve versatility. The outer dovetail jaws are ideal for large bowls or platters, particularly when gripping onto a spigot and the deep internal toothed body is ideal for large spigots of large hollow vessels. Expansion: 94 - 114 mm Contraction Spigot: 76 - 95 mm Contraction Square: 54 - 74 mm -
Woodturners stick wax is a mixture of beeswax and carnauba wax it is slightly softer than the Carnauba Wax Stick and therefore slightly easier to apply and there are no concerns about it marking softer woods. Applied over a sanding sealer, simply hold the stick against the revolving work and allow the heat generated to melt the wax onto the wood. Buff up straight away using Safety Cloth, using the cloth to ensure an even coating. -
This is a solid block of carnauba wax, popular with woodturners. It gives a bright gloss finish and is also very hard wearing, able to withstand a medium amount of handling without showing finger marks. Apply over a sanding sealer by holding it against your work at it revolves on the lathe. Do not press too much – the wax is very hard and can scratch softer woods – the idea is to generate enough heat for the wax to melt slightly and transfer onto the wood. (This is easier than it sounds!). Use sparingly, and use the polishing process (using safety cloth) to ensure the wax is spread evenly. Buffing will produce a high gloss finish. -
This is the same wax Chestnut use in the tinned version of Microcrystalline Wax but in a solid block form with no solvent. This means there’s no waiting around for it to dry before buffing it.
Like the original version, this wax should be used very sparingly, a little goes a very long way and once applied it might even be necessary to spread it thinner using Safety Cloth (the texture of this makes it ideal for this purpose).
The Microcrystalline Wax Stick is also perfect for use on the Buffing Wheel System, use it on Wheel C to buff up to a brilliant, hard wearing finish. -
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These jaws are a smaller version of the standard 50 mm jaws, featuring the same dovetail profile in expansion and the superb grip of the hawk beak design on contraction. Designed specifically for smaller spigots and recesses, this set is incredibly versatile and makes a great addition to any turner’s tool collection. Expansion: 38 - 58 mm Contraction Spigot: 28 - 47 mm Contraction Square: 16 - 37 mm -
Heartwood is light golden-yellow with streaks and veining being dark brown to almost black. Sapwood is wide and grey-white with darker markings. Interlocked or wavy grain with course texture. -
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This faceplate ring is ideal for holding medium sized bowl blanks and due to its strong hold is also suitable for more out of balance timber. It is held to the chuck using the standard 50 mm jaw set which comes complete with all Record Power chuck packages. Must be used with: 62313 50 mm Standard Jaws (Supplied with SC3 and SC4 chucks) Diameter: 87 mm -
Re-chucking bowls and platters for finishing or light shaping has always been something woodturners want to solve. The longworth style chuck makes it easy. This self-centring scroll operation quickly adjusts to fit the work and tightening only takes a few seconds. Designed for clamping in a traditional 4 jaw-self-centring chuck using standard 50mm dovetail jaws. It eliminates the time and hassle of removing and remounting chuck jaws needed when using regular re-chucking jaws. Non-Marking premium silicone grippers provide pliable yet firm gripping power Precision cut, plates provide ultimate performance and reliability 600 RPM maximum. Chuck size indicates the minimum lathe swing for which it is intended maximum external gripping capacity is approximately smaller than chuck diameter. -
A special calliper (ref 973) which makes dimensioning threaded or push fitments that much easier. -
Designed with an internal dovetail to fit securely onto the standard 2" (50mm) jaws. These rings work in the same way as normal faceplates but with the convenience of the easy chuck fitting. Available with an outer diameter of 3⅛" (80mm) and 4¾" (120mm). -
Specially designed to provide a strong contracting grip to unsupported spigot turning applications, e.g. vases and goblets. It can handle spigots from 30mm (13/36inch) to 50mm (2inch). Also features expanding grip mode. -
The ideal way to experiment with the different colours available to decide which ones you prefer, the Spirit Stain Kit contains one bottle (min. contents 25ml) of each of the nine colours. These are exactly the same stain as in the bigger bottles and will intermix if you want to vary the shades available.
The stains are very fade resistant, quick drying and non-grain raising. -
The ideal way to experiment with the different colours available to decide which ones you prefer, the Spirit Stain Kit contains one bottle (min. contents 25ml) of each of the twelve wood colours. These are exactly the same stain as in the bigger bottles and will intermix if you want to vary the shades available. The stains are very fade resistant, quick drying and non-grain raising. -
An exciting and vibrant set of colours for staining wood, Spirit Stains are methanol based to make them quick drying and because of this they also will not raise the grain of the timber they are applied to. The pigments used to make this stains are of the highest quality and all score the top ratings of 7s and 8s in the Blue Wool Scale, the measuring system used to rate fade resistance. This means you can use them with confidence knowing that the colour you apply will still be the same many years later. Spirit Stains are fully inter-mixable so you can produce virtually any colour you can think of, giving you full opportunity to be as creative as you wish. The colours will also mix after application so you can blend from one colour to another for fantastic ‘flare’ effects. Spirit Stain White is designed primarily as a mixer to create pastel shades when mixed with other Spirit Stain colours. It can be used to stain timber but as it is a translucent stain this can have a limited effect depending on the base colour of the timber used. Should you want a more subtle colour you can dilute the stains with Spirit Thinners for a delicate wash effect. -
These Dispensing Nozzles are, in fact, almost indispensable! They fit onto any of Chestnuts' plastic bottles in the 250ml, 500ml and 1 ltr sizes, simply replacing the existing cap. Cut the tip off to the size you want and use the handy cover to reseal them when not in use. A useful by product of using these is that if you knock a bottle over the amount you lose through the small nozzle will be much less than without it. Just don’t forget to take the nozzle off the bottle before you throw it away so that you can re-use it! These nozzles are not child resistant, the correct closure should be replaced when the product is not in use. -
This exciting range of water-based acrylic paints comes in 8 metallic colours. Designed to add an even shimmer to your work they will really make it glow. Mix and match them, use them to highlight certain areas or cover everything in them, the choice is yours. Best used over sanding sealers, apply a spray lacquer over them once dry to seal them in. Can be applied by cloth, brush, spray gun, air brush or any suitable medium you choose! -
These extended jaws act like a pin chuck, expanding into a pre-bored hole. A useful technique for free form edge bowls as you don't have to bore an exact size as with other pin jaws. The longer jaws allow for a very powerful spigot grip for smaller work. Also features a small dovetail. Expansion 26 - 46mm Contraction square: 28 - 7mm Contraction spigot 31 - 10mm
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Iridescent Paints give a change in hue, a slight colour shift when viewed from different angles and are especially effective on irregularly shaped items.Available in nine different amazingly bright and vibrant colours –- Green
- Azure
- Purple
- Red
- Turquoise
- Cerise
- Pink
- Yellow
- Vivid Blue
The paints are water based acrylics and can be applied by brush, cloth, spray gun/airbrush or any manner of ways to give interesting decorative effects. -
Iridescent Paints give a change in hue, a slight colour shift when viewed from different angles and are especially effective on irregularly shaped items.Available in nine different amazingly bright and vibrant colours –- Green
- Azure
- Purple
- Red
- Turquoise
- Cerise
- Pink
- Yellow
- Vivid Blue
The paints are water based acrylics and can be applied by brush, cloth, spray gun/airbrush or any manner of ways to give interesting decorative effects. -
This acrylic Reducer is the perfect thinner/flow medium for our Iridescent Paints and Metallic Paints, essential when using an air brush. Use sparingly, only a little should be required. This will also ensure that it does not affect the opacity and brightness of the colours. -
Keep your air brush in tip-top condition by using our Air Brush Cleaner after every use. -
End Seal is an emulsified paraffin wax used the seal the ends of freshly cut timber to slow down the drying process and reduce the risk of the timber splitting. It can also be used on work-in-progress that is being left unfinished where there is a risk of the timber splitting. Apply it liberally, normally by brush but it can be sprayed if needed, usually to the smallest surface of the timber which will normally be the end grain where moisture is most likely to escape from. Sealing the surface will encourage the moisture to escape via the larger areas which will result in a slower exit. -
Gilt Creams are a creamy, waxy paste with metallic flakes and pigments in them, giving a rich, lustrous finish to whatever they are applied to. The can be used for a ‘limed’ effect over a lacquer to give a high contrast effect, or uniformly over a piece and polished to a bright shine once dried. Available in- Gold
- Silver
- Copper
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The Buffing Tree comprises of three 6 inch wheels, in the A, B and C cloth grades, firmly held on a central spindle. It’s ideal for buffing small items and, after loading the wheels with the compounds and wax, allows you to move from one wheel to the next in quick succession, dramatically reducing the time otherwise taken up by changing wheels. Ideal for polishing small items such as fruit, pens, boxes etc in batches. Requires one of our mandrels to fix to the chuck and a live centre for support at the tailstock. PLEASE NOTE: The Buffing Tree does not come as kit containing the mandrels and compounds etc; this is deliberate as if you already use the Buffing System you will have these and won’t want to buy them again. If you do not have these items they are available to purchase separately or as a pack in the Buffing Accessory Pack. -
These unstitched, cotton mops are ideal for polishing the insides of bowls and boxes etc to achieve the same great finish on the inside as on the outside when using the Buffing Wheel kit, without the fear of the item being snatched from your hands by the larger Buffing Wheels. All of the domes share the same thread as in the large mandrel and the small mandrel so all parts are completely interchangeable. Due to the smaller size of these dome buffs they will require more time and sometimes more speed on the lathe to be able to match the finish given by the larger wheels. Dome Buff A is used with compound 1 to cut back the applied finish and remove any minor blemishes left behind by sanding. Dome Buff B is used with Compound 2 to cleanse the piece and also to prepare for the final polish coat by giving an exceptionally smooth surface. Dome Buff C is used with either the Carnauba wax stick, microcrystalline wax or Microcrystalline Wax Stick to give a wonderful, long lasting shine. -
This kit gets you started on the road to buffing – all you need to supply is the lathe, a chuck and something to buff! Inside the kit you get the mandrels for holding the Buffing Wheels in the chuck. One of each buffing wheel (A, B and C) are included in the 8 inch size, complete with all the fixings attached to fit into the Mandrels. A bar of each of the compounds is included to get you started, these will last a long time so no need to worry about getting spares yet (although all of the items in the kit are available separately when you need to get them). Next is a stick of carnauba wax for that final gloss finish. Last but not least is a full set of instructions on how to use the kit to get the best from it. -
These compounds are designed to co-ordinate with the cloth used in the Buffing Wheels and Dome Buffs to give an exceptional cut and prepare the surface to a very smooth finish prior to using wax. Compound 1 -the brown one – (sometimes referred to as tripoli) is used with the ‘A’ Wheel/Dome to help smooth the applied finish. Avoid overloading the wheel/dome where possible to prevent a build up of the compound. If this happens it can be removed by either washing in soapy water or abrading the edge of the wheel with a coarse abrasive. Do not use on very open grained light coloured timber as the compound can get lodged in the grain and colour the piece. Compound 2 – the white one – (sometimes referred to as white diamond) acts as a cleanser to remove any traces of Compound 1 left on the surface (but not from the grain) and also has a very fine abrasive contained in it which smooths the work, leaving a semi-gloss finish and a superb foundation for the top coat of wax. Use Compound 2 sparingly, too much on the wheel will result in smears on the surface of your work which can be removed with buffing but this can be very time consuming and frustrating. It’s always best to apply a little and add more if needed. -
These cotton wheels come complete with the fixings needed to attach them to the mandrels in the Buffing System. Use Wheel A with Compound 1 for a preparatory cutback Use Wheel B with Compound 2 for an ultra fine surface prior to waxing Use Wheel C with Carnauba Wax Stick, Microcrystalline Wax or Microcrystalline Wax Stick. -
These Mandrels are available separately or come as part of the buffing wheel kit. Both Mandrels are made in the UK and are zinc plated for maximum protection. Due to the limitations of plating a blind hole care should be taken to ensure the tapped thread of the large mandrel stays as dry as possible. The large mandrel is designed to be held in a lathe chuck. It is 25mm in diameter at its widest part, stepped to 18mm with an undercut for smaller chucks. It can be held on either, both will still give plenty of clearance from the chuck. The small mandrel is designed to be held in a jacobs chuck or similar and is especially suited to use with the smaller 4 inch wheels and the Dome Buffs. -
All the items you need to use our Buffing System except the wheels – the perfect add-on when buying the Buffing Tree, the 8 inch wheels or the 4 inch wheels or the Dome Buffs The kit comprises of the Large Mandrel, the Small Mandrel, Compound 1, Compound 2, Carnauba Wax Stick. ALL OF THESE ITEMS ARE INCLUDED IN THE BUFFING WHEEL KIT. -
Chestnut Drill Polishing Brush has natural bristles that might seem a little harsh for polishing waxes but in fact are ideal for the task. Chestnut Drill Polishing Brush, which fits any electric drill or can also be used with the Buffing Wheel System, will give a higher gloss and more resilient finish to any waxed piece. In use, the bristles splay out in a mushroom shape, making this brush ideal for polishing spindles and cylinders. It can be used on flat surfaces but is prone to leave rings so the drum brush or dome brush are recommended for this application. The stock of the brush is about 10cm and the bristles are 4cm long. If the bristles of the brush become clogged with wax simply wash it in warm soapy water and allow to dry before use. -
Made in the USA, these are the original and best quality Foam Brush. Manufactured using a special foam with a stiffener inside to make sure they keep their shape in use, and supplied with a solid wooden handle attached. Great for eliminating brush marks (no bristles = no brush marks) and there’s no danger of any stray bristles coming loose and spoiling your work. Priced to be semi-disposable they will normally wash out several times for re-use. Fantastic for applying acrylic finishes which have a tendency to froth up when applied by brush – the Foam Brush virtually eliminates this completely. Can also be used for painting, particularly gloss paints, seasoned users have been known to have a brush in each hand! -
NyWeb pads are a non-woven nylon webbing with an abrasive – either silicon carbide or aluminium oxide – embedded into them to give an exactly defined cut.- The Green pads are 400 grit
- The Red pads are 600 grit
- The Orange pads are 1000 grit
- The White pads do not contain an abrasive and are thus technically non-abrasive, but the very texture of the pads gives them an incredibly fine – but immeasurable – cut.
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Safety Cloth is a thick, non-woven paper cloth. Designed to stay wet longer to assist the transfer of finishes to your chosen surface, it also tears very easily if it gets caught in revolving parts thus avoiding the danger of fingers being dragged into machinery. The texture of Safety Cloth ensures that a thin, even coat is applied and the thickness means that it retains it’s strength and the same piece can be used several times with the same finish. Safety Cloth is not a replacement for common sense and good safety practise. -
The finest of Steel Wool, very low crumble and virtually oil free to ensure there is no contamination of your work. Use it after sanding with abrasive sheets to give an ultra smooth surface, or to apply waxes to smooth the timber whilst applying a thin coat. Steel Wool burns very quickly and easily; keep it away from sources of combustion (i.e. sparks etc). Always use a knife or scissors to cut Steel Wool -
Tack Cloths are coated with a special, sticky resin. The resin doesn’t transfer off the cloth but when you wipe it across a surface it picks up and dust and removes it, leaving behind a clean surface ready for finishing. This makes it ideal for use after your final sanding to make sure that all of the sawdust generated is removed and doesn’t affect your finishing. Tack Cloths are supplied in a sealed wrapper; once opened store them in an air-tight container to prevent them from drying out. Do not use Tack Cloth with the lathe running. -
This bleached knitted cotton cloth is ideal for applying and buffing most products; the slightly coarse texture ensures that the applied coating is spread thinly, which is always preferable. Not recommended for use on the lathe. -
These beautiful micaceous-based colours are for artists and crafters who wish to add a touch of glamour or glitter to a piece, such as the translucent glow of an angel's wings, a butterfly, a fish or the brilliant iridescent shimmer on a mallard drake's neck. Simply mix the iridescent colours directly into your paints or apply after decorating to highlight specific areas. The choice is yours. For best use when using the Iridescent paints in an Airbrush, looks well on an ebonised background. -
Use as a wipe on sealer (2 coats) prior to applying High Build Friction polish or Melamine Lacquer. Very quick drying (3-6 minutes). -
Although French polish is the general term for all types of Shellac Polish, it is also a product in its own right. Mylands range contains many blends of Shellac Polish which have been developed over the years to fulfil various different requirements – some of which are slightly modified products for a specific purpose. They come in various depths of colour, which give the French Polisher latitude to choose the most appropriate product for the timber being polished. Shellac products have a variety of uses from finishing antiques and reproduction furniture to acting as a barrier between two normally incompatible finishes. They are particularly useful when refurbishing furniture as they will seal in any wax product which may have been applied to the furniture in the past. -
Shellac Sealers are used in the French polishing trade either; as a quick drying finish to seal timber after staining; or as a basecoat for subsequent coats of French Polish. -
Used for diluting French polish, Light Fast and Earth Stains, or cleaning surfaces and tools.
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Sold world-wide as probably the market leader in Friction polish. After sanding surface very smooth, seal with either Cellulose Sanding Sealer or Lacacote Wood Sanding Sealer (wiped on). -
Mylands wax polishes are manufactured from the finest natural ingredients including pure Beeswax and Carnuba wax. Mylands wax will help hide any surface scratches and produce a deep traditional sheen. On polished surfaces use sparingly and buff within a couple of minutes.