u Beaut

  • This is an oil type finish similar to Danish oil but nothing like it. This product is designed to be hand rubbed on to raw timber, giving a finish with a hard, bright, high gloss. It will bring out amazing depth and brilliance to most timbers making the grain pop and become opalescent, vibrant, shimmering and alive. Especially when used on a fine grained, highly figure timber. And if that's not enough it does it all in a matter of minutes.

    Aussie Oil is ideal for use on most small items like pendants, brooches, earrings, small turned items that cannot be fully finished on the lathe. Pens, magnifying glass handles, compacts, key rings, letter openers, in fact almost anything made of wood you can comfortably hold in your hand to polish.

    As an extra added bonus, it also works brilliantly as a friction polish on the lathe.

     
  • A one-application woodturners friction polish that really does work and is ideal for use on smaller spindle work such as pens and similar objects up to around 10 cm (4") diameter.  This exceptional polish is made using a specially formulated hard shellac as a base to give a harder, more durable finish, giving greater resistance to marks and blemishes from water, alcohol and heat.  Normally applied directly onto bare timber (though it can be used over most oils too – but test on scrap first) this polish dries almost instantly yet goes on hardening for up to three weeks resulting in a truly durable finish which far exceeds others on the market today.  Once fully cured the finish is food-safe and non-toxic.
  • Shellawax cream is a woodturners friction and buffing polish. Sharing many of the characteristics of Shellawax liquid, Shellawax Cream is specially formulated for use on larger turned projects where it would normally be impossible to get a first class finish using a conventional friction polish and on stand-alone articles such as carvings.  As with Shellawax, only one application is required to completely finish the work.  Made using a specially formulated hard shellac as a base, this excellent product gives a hard, durable finish, with impressive resistance to marks and blemishes from water, alcohol and heat.  The cream formulation retards the frictional drying characteristic of friction polishes, making it suitable for use on larger lathe-turned items such as bowls and platters.  Being a cream, this product is easily controlled in application and is very economical in use.  Shellawax Cream is non-toxic.
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    Shellawax Glow is darker than regular Shellawax (a deep honey to tan colour). It is made from a special blend of shellacs and is designed to give more depth and richness to highly figured timbers like fiddleback, birdseye, flame and quilted woods. It will also give more richness and a sense of depth to many other timbers.

    Shellawax Glow is identical in use and all other respects to regular Shellawax. It is applied in the same way and has all the same properties. It can also be mixed with Shellawax Cream as an extender and thinner and can be used over EEE-Ultra Shine.

    This polish may darken white woods ever so slightly, so it is a good idea to try it on a scrap piece first to make sure it doesn't darken more than you want.

    USING SHELLAWAX CREAM AS A SHELLAWAX GLOW EXTENDER Shellawax Glow can be mixed with Shellawax Cream as an extender. This allows for better use of these products on large turned work and for hand rubbed work. For bowls over (6”) 150mm diam, mix the Cream and Shellawax Glow at the rate of approx 50/50 this will give you a runny cream that will stay on the surface longer and allow you more time to work it into the timber.  

    Use different mixing rates for various jobs 20% Cream to 80% Shellawax Glow  for large platters etc up to 900mm (3’) diam and larger. 

    SHELLAWAX GLOW AS A THINNER Use Shellawax as a thinner for Shellawax Cream, which often thickens with use. This will also extend the life of the Cream. The slight colour difference will not effect the colour of Cream when used.

     
  • This sanding sealer is designed to raise the grain and make it brittle, it can then be sanded of with fine grit abrasive paper leaving a smooth fine surface to apply finish.
  • This amazing product is a cut and polish paste containing Tripoli powder, an ultra-fine abrasive.  The polish is designed to be used in conjunction with Shellawax Cream and liquid formulations or as a finish in its own right on plastics (such as acrylic, resin-impregnated burr, crushed velvet, artificial ivory and similar products used for pen bodies).  It can also be used after French polishing and restorers will find it useful to cut and revive previously polished surfaces.  Although designed to be used directly on raw timber, bear in mind that EEE is not a finish in itself and the polished surface will need protecting by the use of some other product (such as Shellawax).  EEE-Ultra Shine can be used over many other finishes such as oils and most types of varnish, enhancing the surface and giving it a smoothness and lustre with an ease that you would never have thought possible.
  • Ever wished you had a finish that was as easy to use as shellac but with the durability of polyurethane? Well wish no more, because here it is.

    This unique Hardened Shellac creates a film with a high resistance to heat, water and alcohol, yet it is used in exactly the same was as any normal shellac. It can be applied with a rubber as French polish, brushed, sprayed and dipped.

    HOW IS THIS POSSIBLE? After shellac has been dissolved in ethanol* it is possible to introduce additives that cause the shellac to cross link after it has dried. This cross linking takes about 20 days to completely cure, less in hot weather.

    USES: Ideal for table tops and other horizontal surfaces such as dresser and desk tops, etc. Also brilliant for use on guitars, lutes, harps and many other musical instruments where a traditional finish is required and good resonance qualities are essential.

    NEW IMPROVED FORMULA In February 2009 U-beaut began adding a plasticiser to Hard Shellac. This gives elasticity to the cured finish, to combat crazing on the thin walls of musical instruments, whilst still having the same high resistance to marking from water, alcohol and heat it has always had.

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