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  • This water based sanding sealer gets the job done without the smell associated with solvent based sealers and also with no flammability issues – ideal for asthma suffers and anyone with an aversion to solvent based finishes. Applied by cloth, brush or spray (Chestnuts' foam brushes are especially good with this) the sealer dries in about 5 minutes and can be overcoated with most compatible finishes after about 20 minutes although two hours should be left if using Acrylic Lacquer. Acrylic Sanding Sealer sands easily with a fine abrasive and is supplied ready for use.
  • Worktop Oil is a unique water-borne blend of natural plant oils and other special ingredients which nourishes and protects all types of timber. It is a quick-drying wooden work surface treatment, leaving a durable and water-resistant seal which is not vulnerable to scratching or chipping. Plant oils used in its formulation originate from sustainable sources. One litre will cover around 13 square metres per coat depending on the absorbency of the wood.
    • Water based & quick drying
    • For all solid wood worktops
    • Low odour
    • Food safe
    • Natural finish
  • If you need to get away from the smell and flammability of our cellulose based lacquers this is an ideal option. This water based lacquer has virtually no smell and is totally non-flammable. Don’t be fooled though, this product is extremely hard wearing and gives a full gloss finish. Being water based it is slightly slower drying, taking about twenty minutes to be touch dry. If you want to apply a second coat it should be left two hours before doing so, although a wax can be applied if required after about thirty minutes. This product can be sprayed if suitable equipment is available, or can be applied by cloth or brush. We recommend foam brushes for application as this keeps the foaming action of acrylics to a minimum.  
  • A refined Beeswax and Citrus Oil polish with pleasant aromatics and emulsified into a ready-to-use paste. For the palest, brightest cabinetry finish offered in our range; a double wax application and polish (min. 24 hours apart) to raw, fine-sanded woodwork would be recommended.
  • Chuck Insert to fit the Record Power SC1 Mini Chuck and SC4 Professional Geared Scroll Chuck only.
  • These pin end blades are ideal for use in machines that only accept pin end blades, but can also be used in machines that feature universal jaws. Their width makes them ideal for straighter cuts and for more arduous cuts, such as deep hard woods. Perfect for small joints and box making. 3 mm wide, 0.5 mm thick, 20 TPI.
  • These pin end blades are ideal for use in machines that only accept pin end blades, but can also be used in machines that feature universal jaws. Their width makes them ideal for straighter cuts and for more arduous cuts, such as deep hard woods. Perfect for small joints and box making. 3 mm wide, 0.5 mm thick, 15 TPI.
  • These pin end blades are ideal for use in machines that only accept pin end blades, but can also be used in machines that feature universal jaws. Their width makes them ideal for straighter cuts and for more arduous cuts, such as deep hard woods. Perfect for small joints and box making. 3 mm wide, 0.5 mm thick, 10 TPI
  • The width of these pin end blades makes them ideal for straighter and more arduous cuts, such as deep hard woods. The tooth pattern makes them ideal for faster cutting as they provide better chip clearance than standard tooth patterns. 3 mm wide, 0.5 mm thick, 9 TPI.
  • The width of these pin end blades makes them ideal for straighter and more arduous cuts, such as deep hard woods. The tooth pattern makes them ideal for faster cutting as they provide better chip clearance than standard tooth patterns. 2 mm wide, 0.25 mm thick, 18.5 TPI.
  • Skip tooth pattern to suit BS400. Also fits Axminster JBS180 & Jet JWBS18
  • Faceplates

    £14.99£43.99
    Faceplates are the ideal tool for mounting larger or heavier work, for turning across the grain. This cast iron faceplate is precision machined on external faces to a tolerance of 1/1000th of an inch for each inch of radius and CNC turned for exceptional accuracy and balance. It features concentric circular grooves to aid the centralising of smaller workpieces. 
  • Drive Centres

    £14.99£27.49
    Designed to hold wood securely without splitting, this drive centre gives superior hold. The opposing tooth profiles mean that as they enter the wood, the fibres are pushed together rather than apart, holding the timber together.
  • The Compendium of Wooden Wand Making Techniques is here to show you how simple making wands can be – no mysterious magic necessary! In the first-ever guide for muggles to making wands, you’ll learn how to hand carve, power carve, wood turn, and scroll saw 20 unique projects that are sure to delight and manage mischief. Be inspired with a gallery of beloved staff-carrying and wand-wielding characters from the infamous Harry Potter and Lord of the Rings series, then use the Wand Sketchbook section to design your own original wands! From there, five wand projects for each woodworking technique are presented with step-by-step instructions, coordinating photography, and patterns. Conjuring up wooden wands might seem like a magical and mysterious process, but the Compendium of Wooden Wand Making Techniques is here to show you how simple it can be! In the first-ever guide to making wands, you’ll learn how to hand carve, power carve, wood turn, and scroll saw 20 unique projects that are sure to delight and manage mischief. Be inspired with a gallery of beloved staff-carrying and wand-wielding characters from the infamous Harry Potter and Lord of the Rings series – from Albus Dumbledore, Hermione Granger, and Severus Snape to Gandalf, Saruman, and several others. Woven throughout these gallery pages are images of wands you can make in the book that are thematically similar – but distinct from – these iconic wands and staffs! Also provided is a Wand Sketchbook section as a jump-off point for you to design wands of your own, along with areas to include your original wand’s name, wood type, length, core, and special skills. From there, five wand projects for each woodworking technique are presented with step-by-step instructions, coordinating photography, and patterns. A complete project collection that’s truly the first of its kind, this book is a must-have source of inspiration that belongs in any muggle’s and woodworker’s library who has a love for all things fiction and fantasy!
  • Learning the art of intarsia has never been easier thanks to celebrated artist and instructor Kathy Wise!
    • Over 40 skill-building lessons, exercises, and projects break down important techniques into manageable, easy-to-understand steps
    • Step-by-step instructions, patterns, reference photos, and material lists guide you through each lesson
    • Tips & hints from author Kathy Wise help you turn multiple pieces of wood into stunning art
    • Progressive teaching style teaches not only the basics, but the nuances of working with multiple shades of wood
      Learning intarsia is easier than you think! You don't have to be a master woodworker to create dramatic works of intarsia—the assembly of various woods into a unified mosaic piece—thanks to celebrated artist and instructor Kathy Wise. With more than 40 skill building lessons, exercises, and projects, Intarsia Woodworking for Beginners does what no other intarsia book has done before: It breaks down the important techniques of intarsia into manageable and easy-to-understand steps, offering crafters an easy entry point into this rewarding art form. Following a progression, this resource takes you on a journey from the concepts and basics of working with an intarsia pattern to the fundamentals of cutting, sanding, gluing, creating a backer board, and finishing your first project. From there, you'll move on to techniques that will take your work to the next level, such as staining, shims, overlays, laminations, woodburning (pyrography), and carving texture, to add shading and grain to your mosaic masterpiece. With the projects divided into beginner, intermediate beginner, and advanced beginner levels, this easy to follow book includes step-by-step instructions, over 20 patterns, reference photos, material lists, and tips to help you turn inlaid wood into a stunning work of art! Each step is organized into 17 total mini-lessons, including practice exercises and a final step-by-step guided project. Five additional patterns for each skill level round out the chapters. Kathy's progressive teaching style offers something for anyone working with inlaid wood. The lessons not only cover the basics, but also describe details to look out for like the nuances of working with multiple shades of wood or the best way to create colour breaks. This book offers valuable lessons that will be referenced again and again as you discover a love of intarsia!
  • 130mm white dial with Arabic or Roman numerals, brass diamond turned bezel ring and domed glass clock insert. Requires a hole approximately 83-85mm diameter  x 25mm deep to insert mechanism into.
  • When more than one hose branch is being used, it is advisable to close off all the inactive lines using these gates to ensure maximum airflow along the active line. These aluminium blast gates are far stronger than the plastic ones and are therefore more suitable to a trade or professional environment. The centre plate simply slides between the open and closed position and can be locked in position. The blast gate has two 100mm (4") connections. Our 100mm hose can be connected directly and secured with a hose clamp, 100HC. Blast gates can be attached directly to a 100mm diameter outlet on a machine using a tapered joining sleeve, 100SL. Gates are also commonly attached to a splitter (T-Branch or Y-Branch) using a tapered joining sleeve. You can mount the gate wherever is the most convenient position.  
  • Chestnut Melamine Lacquer

    £15.45£26.80
    When you’re looking for a hard-wearing, heat and water resistant, quick drying gloss lacquer you need look no further than Melamine Lacquer. Based on cellulose technology, Melamine Lacquer has a catalyst suspended within it; when the lacquer is in the can it is inert but once applied and exposed to the air, the lacquer dries within five minutes like a cellulose and then the catalyst kicks in and the lacquer goes on to chemically cure to give a more durable coating. 90% of the curing process happens in the first seven days after application, making the lacquer very hard wearing, the remaining 10% of the process can take up to two weeks more to give maximum toughness, something you only need to consider if the lacquer is going to be subjected to extremely hard use. Melamine Lacquer is designed to give a full gloss finish which will be achieved with a very careful application. It can be applied by brush (foam or bristle), cloth or by spraying. Where necessary, use cellulose thinners to dilute the product – especially helpful if working on a large area. The gloss level of Melamine Lacquer can be increased by using burnishing cream once it has dried, and it can also be overcoated with friction polish (to increase the depth of the shine) or woodwax 22 or microcrystalline wax (for a more natural feel).
  • Metal bezel on a plastic case, fits a case hole of 58 to 62mm diameter x 18mm deep with spring fitting. Bezel diameter 85mm. Takes an LR1 battery .
  • Lubricating Wax is specially formulated to lubricate and clean interior tools and machinery to increase their efficiency and keep working parts moving freely. Silicone-free, it is suitable for use on saw blades, cutter blades, machine tables, lathes and planers to increase longevity, and help to reduce rust and corrosion on all bare metal surfaces . Its special properties will also assist in the quick cleaning and easy removal of glue from veneer presses and G-clamps, as well as help to reduce resin build-up from softwood.
  • Gold metal bezel on a plastic case, fits a case hole of 58 to 62mm diameter x 18mm deep with spring fitting. Bezel diameter 100mm. Takes an LR1 battery.
  • This sanding sealer is designed to raise the grain and make it brittle, it can then be sanded of with fine grit abrasive paper leaving a smooth fine surface to apply finish.
  • Leadwood circle

    £16.10£23.80
    A dark brown to sometimes nearly black wood with straight to interlocking grain. Hard and heavy with good working qualities. Turns and finishes well and takes a good polish.
  • A blend of natural plant oils to nourish and protect chopping boards and worktops. It penetrates the wood with no surface film to chip. It has a clear finish to enhance the natural beauty of wood. The Oil contains anti-microbial additives with a slow release formula which provide protection against a wide range of bacteria including E-coli and MRSA. Rustins Chopping Board Oil conforms to The Articles in Contact with Food Regulations.
  • Fine finishing starts with good preparation! Use these mildly abrasive pads after sanding for that final smoothing process to give a near-perfect surface prior to applying any finish. Very long lasting, these pads are also very flexible and do not crumble, thus avoiding any fear of contamination of your work. Exercise care when using these pads with the lathe revolving.
  • The long grind jig helps you create three different fingernail profiles on bowl and spindle gouges.
  • This creamy liquid has a very mild abrasive within it which acts like ‘liquid sandpaper’ on finished surfaces, cutting back and cleaning the finish and elevating it to a glossier, brighter finish. It can be used to smooth Cellulose Sanding Sealer prior to applying wax or Friction Polish, or, after allowing a suitable time to dry, on any of the lacquers, Friction Polish, Finishing Oil or Hard Wax Oil. A deep finish can be achieved using Burnishing Cream on a coat of Melamine Lacquer, then a coat of Friction Polish and finally the Burnishing Cream again. Use it sparingly so as not to over lubricate the surface and be sure to shake the bottle before use. It is not advisable to use a lacquer on top of a surface that has had Burnishing Cream used on it.
  • Keith Rowley's bestselling introduction to the art of woodturning is exceptional for its friendly and methodical approach, building up the reader's skills and confidence by logical and progressive steps. At the heart of Keith's method are the 'Laws of Woodturning': six easily memorized rules which are fundamental to efficient and safe technique. Both between-centres and faceplate turning are described and illustrated in detail. You will learn about timber selection, and how to choose the right tool and equipment. This latest edition has been comprehensively revised and updated by renowned wood turner Andy Coates to include the latest available tools and machinery as well as up-to-date health and safety guidelines

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