- Fine control of heat and precise handling of the burning head, variable heat, up to 1100º C.
- The pen (for handpiece) has a cool running and lightweight handle which remains comfortable even after many hours of use.
- Writes quickly and as fluently as a fountain pen.
- Cost effective replacement points.
- The ability to shape your own points from specialist wire with the supplied fine wire, perfect for fine detailed burning. Thicker wire is available, ideal for enhancing bird or stick carving.
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Features: -
- Designed for use with the Peter Child Pyrography machine: two pen flexibility at the flick of a switch.
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- Make points to your shape and design using wire cutters and pliers. One reel can make in excess of 150 points. Hammered flat, they can be used as a blade for burning feathers, grass or fur, or file the wire to a needle point for minute detail.
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Made from Nickel Chromium wire and with normal use will last many years. -
Llewellyn Ryland Polyester Pigment are coloured liquid/paste mediums based on pigments dispersed within a solvent-free reactive unsaturated polyester resin. They are available in a wide range of colours varying in strength and consistency depending upon the particular colouring application. They have been developed to blend easily into resin systems. The range of colours is based upon pigments carefully selected for colour fastness, opacity, heat stability and having minimum effect upon the curing characteristics of the final system. The resin used with the Polyester Colour Paste is a specially developed solvent-free reactive polyester resin which chemically cross links with the moulding resin so that the colour is "locked in" once the system has cured. They can be used to colour most polyester resin based systems used within the composites or related industry. These Polyester Colour Pastes have excellent stability. -
Out of stock
While this resin has been manufactured to resist scratching and resistance to marking from heat sources we must stress this resin will still mark if sharp items are moved across the surface or hot items are placed on the surface.
As with all casting products, we stress that customers should purchase a small amount to perform initial tests to ensure suitability for their project and requirements.
Pigmentation Epoxy pigments are the recommended system to colour this resin however the polyester range of pigments will also work. Please read the Technical and Safety Data sheets prior to use. We recommend small scale testing to ensure compatibility before using at full scale. Cold Weather Notice Cooler temperatures in the UK and Ireland around mid-autumn to mid spring are not ideal conditions for water clear epoxy systems, this can increase the chances of crystallisation in the resin (this can occur at room temperature depending on circumstances, it is however much less common). Appearance can differ depending on the degree of crystallisation, from small lumps sitting on the surface to a hazy/milky white appearance, extreme cases the contents may completely solidify. Crystallisation occurs due to a phase change from liquid or solid similar to that of water turning to ice, fortunately it is easily reversed by warming the epoxy component to 60°c. Ensure any crystals are completely removed as remaining crystals can act as a seed causing the crystals to form again quite quickly. Lab results show the heating cycle to remove crystals can be repeated on multiple occasions before beginning to suffer from any losses in resin properties. We recommend keeping the resin system at a good room temperature at all times where possible, ensure to clean the lids and bottle necks of containers with isopropyl alcohol / acetone allowing the solvent to evaporate before replacing the lid.Product Data Units Mix Mix Ratio Weight 100 : 50 Hardness ShoreD 80 - 85 Viscosity (25°C) mPa.s 600 - 900 Density (25°C) g/cm3 1.09 – 1.13 Pot life (200g, 25°C) Mins 25 - 30 Cure Time (200g, 25°C) Hours 24 Full Cure (25°C) Days 7 Recommended Casting Thickness mm 1 - 5 -
Milliput Epoxy Putty, the two sticks have a long shelf life but once mixed the resultant putty is at first soft and highly adhesive and then gradually hardens. Speed of hardening is dependant on temperature and at normal temperatures (20-25ºC) Milliput becomes rock hard in three to four hours. By the application of heat the setting time can be reduced to a few minutes. After setting hard Milliput continues to cure and is fully cured after an elapse of time equal to the setting time at the same temperature. Once fully cured Milliput can be machined, drilled, tapped, turned, filed, sawn, sandpapered and painted. Milliput can be sandpapered and painted immediately it has set. (it is advisable to wear eye protection during this process). Milliput is an excellent adhesive and will bond any of the following to itself or to any of the others - wood, brick, cement, metals, concrete, plastics, glass etc, but note that Milliput is not intended as a thin layer adhesive and should not be used where a paste, mucilage or thin glue is indicated. Milliput will set under water and is heat resistant up to 130°C. Shelf Life: Recommended that Milliput is stored in cool, dry conditions. Please reseal bags after use. Stored correctly this product should remain workable for about 2 years. Available in six colours: Standard (Yellow/Grey), Terracotta, Silver Grey, Black, Superfine White and Turquoise Blue. -
The ideal way to experiment with the different colours available to decide which ones you prefer, the Spirit Stain Kit contains one bottle (min. contents 25ml) of each of the nine colours. These are exactly the same stain as in the bigger bottles and will intermix if you want to vary the shades available.
The stains are very fade resistant, quick drying and non-grain raising.
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The ideal way to experiment with the different colours available to decide which ones you prefer, the Spirit Stain Kit contains one bottle (min. contents 25ml) of each of the twelve wood colours. These are exactly the same stain as in the bigger bottles and will intermix if you want to vary the shades available. The stains are very fade resistant, quick drying and non-grain raising. -
An exciting and vibrant set of colours for staining wood, Spirit Stains are methanol based to make them quick drying and because of this they also will not raise the grain of the timber they are applied to. The pigments used to make this stains are of the highest quality and all score the top ratings of 7s and 8s in the Blue Wool Scale, the measuring system used to rate fade resistance. This means you can use them with confidence knowing that the colour you apply will still be the same many years later. Spirit Stains are fully inter-mixable so you can produce virtually any colour you can think of, giving you full opportunity to be as creative as you wish. The colours will also mix after application so you can blend from one colour to another for fantastic ‘flare’ effects. Spirit Stain White is designed primarily as a mixer to create pastel shades when mixed with other Spirit Stain colours. It can be used to stain timber but as it is a translucent stain this can have a limited effect depending on the base colour of the timber used. Should you want a more subtle colour you can dilute the stains with Spirit Thinners for a delicate wash effect. -
This exciting range of water-based acrylic paints comes in 8 metallic colours. Designed to add an even shimmer to your work they will really make it glow. Mix and match them, use them to highlight certain areas or cover everything in them, the choice is yours. Best used over sanding sealers, apply a spray lacquer over them once dry to seal them in. Can be applied by cloth, brush, spray gun, air brush or any suitable medium you choose! -
Out of stock
Chestnut Spray Diffusers are ideal for applying Spirit Stain; one end goes in the stain and you blow through the other end for your own mini-spray gun. Great for special decorative effects. -
Iridescent Paints give a change in hue, a slight colour shift when viewed from different angles and are especially effective on irregularly shaped items.Available in nine different amazingly bright and vibrant colours –- Green
- Azure
- Purple
- Red
- Turquoise
- Cerise
- Pink
- Yellow
- Vivid Blue
The paints are water based acrylics and can be applied by brush, cloth, spray gun/airbrush or any manner of ways to give interesting decorative effects. -
Iridescent Paints give a change in hue, a slight colour shift when viewed from different angles and are especially effective on irregularly shaped items.Available in nine different amazingly bright and vibrant colours –- Green
- Azure
- Purple
- Red
- Turquoise
- Cerise
- Pink
- Yellow
- Vivid Blue
The paints are water based acrylics and can be applied by brush, cloth, spray gun/airbrush or any manner of ways to give interesting decorative effects. -
This acrylic Reducer is the perfect thinner/flow medium for our Iridescent Paints and Metallic Paints, essential when using an air brush. Use sparingly, only a little should be required. This will also ensure that it does not affect the opacity and brightness of the colours. -
Keep your air brush in tip-top condition by using our Air Brush Cleaner after every use. -
Gilt Creams are a creamy, waxy paste with metallic flakes and pigments in them, giving a rich, lustrous finish to whatever they are applied to. The can be used for a ‘limed’ effect over a lacquer to give a high contrast effect, or uniformly over a piece and polished to a bright shine once dried. Available in- Gold
- Silver
- Copper
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These beautiful micaceous-based colours are for artists and crafters who wish to add a touch of glamour or glitter to a piece, such as the translucent glow of an angel's wings, a butterfly, a fish or the brilliant iridescent shimmer on a mallard drake's neck. Simply mix the iridescent colours directly into your paints or apply after decorating to highlight specific areas. The choice is yours. For best use when using the Iridescent paints in an Airbrush, looks well on an ebonised background. -
Hampshire Sheen embellishing wax is designed to be used on open grain woods such as oak or ash and works brilliantly to highlight textured elements on tighter grained woods. Use in conjunction with the Intrinsic Colour Collection for stunning results. Supplied in a 130g lever lid tin. Apply liberally and buff to a gloss. -
Hampshire Sheen Embellishing Wax are ideal for enhancing open grained decorative items from woods such as Oak or Ash or woods with added texture. They work brilliantly in combination with the Intrinsic Colour Collection and this selection available in nine colours are a great, easy to apply alternative to gilt creams. Supplied in 60g tins. -
Hampshire Sheen - Inlays, metal powder and decorative sand inlays are a popular choice to team up with the CA glues. Powders supplied in 250g-350g bottles, Sands in 250g & 350g shakers. -
Hampshire Sheen Intrinsic Colours being water based, they are non-flammable, environmentally friendly and afford you a long working time. They sink deeply into the wood and preserve the appearance of the figure in the wood, releasing the hidden subtleties. Apply more than one coat of dye to build up depth of colour, and add a black or earth undercoat for an even more dramatic effect. For the adventurous colourist, Intrinsic Colours can be mixed together to create even more shades or thinned with water for a lighter shade. -
Hampshire Sheen Intrinsic Colour Collection, individual bottles of the Intrinsic Colour Collection in 125ml size, twelve shades of colour developed and mixed by Martin Saban-Smith. -
Hampshire Sheen Intrinsic Colour Collection, individual bottles of the Intrinsic Colour Collection in a large 250ml size, twelve shades of colour developed and mixed by Martin Saban-Smith.
