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Accelerates Super Glue cure time. Best working accelerator for ZAP. Sets in just a few seconds. -
Allows 7 - 10 seconds for positioning, cures in 20 seconds. -
Super thin penetrating formula, bonds in 1 - 5 seconds. -
Out of stock
Aids in removing cured superglues from skin and work surfaces. Debonding agent for all super glues. Always test first. 1-oz bottle. -
A one-application woodturners friction polish that really does work and is ideal for use on smaller spindle work such as pens and similar objects up to around 10 cm (4") diameter. This exceptional polish is made using a specially formulated hard shellac as a base to give a harder, more durable finish, giving greater resistance to marks and blemishes from water, alcohol and heat. Normally applied directly onto bare timber (though it can be used over most oils too – but test on scrap first) this polish dries almost instantly yet goes on hardening for up to three weeks resulting in a truly durable finish which far exceeds others on the market today. Once fully cured the finish is food-safe and non-toxic.
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Out of stock
Shellawax Glow is darker than regular Shellawax (a deep honey to tan colour). It is made from a special blend of shellacs and is designed to give more depth and richness to highly figured timbers like fiddleback, birdseye, flame and quilted woods. It will also give more richness and a sense of depth to many other timbers.
Shellawax Glow is identical in use and all other respects to regular Shellawax. It is applied in the same way and has all the same properties. It can also be mixed with Shellawax Cream as an extender and thinner and can be used over EEE-Ultra Shine.
This polish may darken white woods ever so slightly, so it is a good idea to try it on a scrap piece first to make sure it doesn't darken more than you want.
USING SHELLAWAX CREAM AS A SHELLAWAX GLOW EXTENDER Shellawax Glow can be mixed with Shellawax Cream as an extender. This allows for better use of these products on large turned work and for hand rubbed work. For bowls over (6”) 150mm diam, mix the Cream and Shellawax Glow at the rate of approx 50/50 this will give you a runny cream that will stay on the surface longer and allow you more time to work it into the timber.
Use different mixing rates for various jobs 20% Cream to 80% Shellawax Glow for large platters etc up to 900mm (3’) diam and larger.
SHELLAWAX GLOW AS A THINNER Use Shellawax as a thinner for Shellawax Cream, which often thickens with use. This will also extend the life of the Cream. The slight colour difference will not effect the colour of Cream when used.
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Shellawax cream is a woodturners friction and buffing polish. Sharing many of the characteristics of Shellawax liquid, Shellawax Cream is specially formulated for use on larger turned projects where it would normally be impossible to get a first class finish using a conventional friction polish and on stand-alone articles such as carvings. As with Shellawax, only one application is required to completely finish the work. Made using a specially formulated hard shellac as a base, this excellent product gives a hard, durable finish, with impressive resistance to marks and blemishes from water, alcohol and heat. The cream formulation retards the frictional drying characteristic of friction polishes, making it suitable for use on larger lathe-turned items such as bowls and platters. Being a cream, this product is easily controlled in application and is very economical in use. Shellawax Cream is non-toxic. -
This sanding sealer is designed to raise the grain and make it brittle, it can then be sanded of with fine grit abrasive paper leaving a smooth fine surface to apply finish. -
Ever wished you had a finish that was as easy to use as shellac but with the durability of polyurethane? Well wish no more, because here it is.
This unique Hardened Shellac creates a film with a high resistance to heat, water and alcohol, yet it is used in exactly the same was as any normal shellac. It can be applied with a rubber as French polish, brushed, sprayed and dipped.
HOW IS THIS POSSIBLE? After shellac has been dissolved in ethanol* it is possible to introduce additives that cause the shellac to cross link after it has dried. This cross linking takes about 20 days to completely cure, less in hot weather.
USES: Ideal for table tops and other horizontal surfaces such as dresser and desk tops, etc. Also brilliant for use on guitars, lutes, harps and many other musical instruments where a traditional finish is required and good resonance qualities are essential.
NEW IMPROVED FORMULA In February 2009 U-beaut began adding a plasticiser to Hard Shellac. This gives elasticity to the cured finish, to combat crazing on the thin walls of musical instruments, whilst still having the same high resistance to marking from water, alcohol and heat it has always had.
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This amazing product is a cut and polish paste containing Tripoli powder, an ultra-fine abrasive. The polish is designed to be used in conjunction with Shellawax Cream and liquid formulations or as a finish in its own right on plastics (such as acrylic, resin-impregnated burr, crushed velvet, artificial ivory and similar products used for pen bodies). It can also be used after French polishing and restorers will find it useful to cut and revive previously polished surfaces. Although designed to be used directly on raw timber, bear in mind that EEE is not a finish in itself and the polished surface will need protecting by the use of some other product (such as Shellawax). EEE-Ultra Shine can be used over many other finishes such as oils and most types of varnish, enhancing the surface and giving it a smoothness and lustre with an ease that you would never have thought possible. -
This is an oil type finish similar to Danish oil but nothing like it. This product is designed to be hand rubbed on to raw timber, giving a finish with a hard, bright, high gloss. It will bring out amazing depth and brilliance to most timbers making the grain pop and become opalescent, vibrant, shimmering and alive. Especially when used on a fine grained, highly figure timber. And if that's not enough it does it all in a matter of minutes.
Aussie Oil is ideal for use on most small items like pendants, brooches, earrings, small turned items that cannot be fully finished on the lathe. Pens, magnifying glass handles, compacts, key rings, letter openers, in fact almost anything made of wood you can comfortably hold in your hand to polish.
As an extra added bonus, it also works brilliantly as a friction polish on the lathe.
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High strength waterproof glue specially formulated for multi-purpose applications. In addition to its superior wood-to-wood performance, it is equally effective for metal, ceramic, plastic, Corian, stone and other porous/non-porous materials. Ready to use, offering excellent sandability and unaffected by finishes. Thicker than traditional polyurethanes it provides a non-running, non-drip glue line for more precise applications. Polyurethane glues cure by moisture and an effervescence is a by-product of this, there is no strength in this and it is easily sanded off when dry, the glue will not become brittle with age and will not expand or contract in the joint. In very dry timber it may be necessary to moisten one surface to encourage curing to take place. -
Interior use only, initial tack time 30 mins, setting time 24 hours approximately. Open time 5 minutes, assembly time 10-15 minutes, shelf life 12 months (kept airtight). -
he waterproof formula provides superior bond strength, longer open assembly time and lower application temperature. -
Interior and exterior use, strong initial tack with fast setting. Excellent sandability, unaffected by finishes. FDA approved for indirect food contact and easy to clean away with water. Open time 5 minutes, assembly time 10-15 minutes, shelf life 12 months (kept airtight). -
Very high viscosity formula, super thick and super strong. Allows approximately 30 - 40 seconds for positioning. Cures in 90 seconds, ideal for gap filling. Use zip kicker to accelerate cure time. -
Worktop Oil is a unique water-borne blend of natural plant oils and other special ingredients which nourishes and protects all types of timber. It is a quick-drying wooden work surface treatment, leaving a durable and water-resistant seal which is not vulnerable to scratching or chipping. Plant oils used in its formulation originate from sustainable sources. One litre will cover around 13 square metres per coat depending on the absorbency of the wood.- Water based & quick drying
- For all solid wood worktops
- Low odour
- Food safe
- Natural finish
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Removal of Plastic Coating from brushes, rollers and application equipment. Also used to thin Plastic Coating when necessary if it is to be sprayed. Also used to thin the product when an opened grained oil type finish is required. -
Two-part clear cold cure lacquer for use on wood, hardboard, cork and plastic laminates. Extremely good adhesion, resistant to heat, solvents and abrasion. Can be burnished to a mirror like gloss or rubbed down to a smooth, satin finish with steel wool and wax. An excellent finish for marquetry as it does not darken light coloured veneers and does not yellow or craze on ageing. Hard-dry within 2 hours of application. Plastic Coating conforms to The Articles in Contact with Food Regulations. -
A unique formulation developed by Rustins that is suitable for all types of wood. It differs from Teak Oil in that it contains special ingredients to give it a low lustre finish. It is an easy to use wipe on finish, which brings out the beauty of the timber and gives a natural, open grained, soft lustrous finish. Ideal for all woods and is excellent on turned woodwork. Danish Oil conforms to The Articles in Contact with Food Regulations and to the Toys (Safety) Regulations 1995, BS:EN71 Part 3. -
A blend of natural plant oils to nourish and protect chopping boards and worktops. It penetrates the wood with no surface film to chip. It has a clear finish to enhance the natural beauty of wood. The Oil contains anti-microbial additives with a slow release formula which provide protection against a wide range of bacteria including E-coli and MRSA. Rustins Chopping Board Oil conforms to The Articles in Contact with Food Regulations. -
Boiled linseed oil is used for finishing most bare timber and suitable for replacing the natural sheen that wood can lose after long periods drying in the sun. Boiled linseed oil contains special additives which speed the drying process. Will also waterproof ground sheets and tarpaulins. -
The Sandmaster is an essential part of every turner's tool kit. It comes with 5 different grits of abrasive to take even the roughest projects to a glass-like finish every time. It avoids an uneven finish often associated with hand sanding and there is no danger of catching hands on the revolving project. There is little or no surface damage/head build-up, as there is with power sanding and there is no cable to trip over. Head articulates to access even the most difficult areas. Sponge head is ideal for working in tight spaces. Sandmaster creates a fraction of the dust generated by power sanding. It can be adapted to take a polishing mop. -
Sale!
The Record 8" Buffing Machine is the ideal solution for buffing and polishing woods as well as some metals and can be used in conjunction with pastes and compounds on a wide range of surfaces. It features a heavy-duty cast iron base which can be bolted to a bench and rubber feet to reduce vibration, making for smooth and stable running. The machine is supplied with two high-quality 8” (200 mm) diameter fine buffing wheels to ensure an excellent finish is achieved. -
- Make points to your shape and design using wire cutters and pliers. One reel can make in excess of 150 points. Hammered flat, they can be used as a blade for burning feathers, grass or fur, or file the wire to a needle point for minute detail.
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Made from Nickel Chromium wire and with normal use will last many years. -
Out of stock
While this resin has been manufactured to resist scratching and resistance to marking from heat sources we must stress this resin will still mark if sharp items are moved across the surface or hot items are placed on the surface.
As with all casting products, we stress that customers should purchase a small amount to perform initial tests to ensure suitability for their project and requirements.
Pigmentation Epoxy pigments are the recommended system to colour this resin however the polyester range of pigments will also work. Please read the Technical and Safety Data sheets prior to use. We recommend small scale testing to ensure compatibility before using at full scale. Cold Weather Notice Cooler temperatures in the UK and Ireland around mid-autumn to mid spring are not ideal conditions for water clear epoxy systems, this can increase the chances of crystallisation in the resin (this can occur at room temperature depending on circumstances, it is however much less common). Appearance can differ depending on the degree of crystallisation, from small lumps sitting on the surface to a hazy/milky white appearance, extreme cases the contents may completely solidify. Crystallisation occurs due to a phase change from liquid or solid similar to that of water turning to ice, fortunately it is easily reversed by warming the epoxy component to 60°c. Ensure any crystals are completely removed as remaining crystals can act as a seed causing the crystals to form again quite quickly. Lab results show the heating cycle to remove crystals can be repeated on multiple occasions before beginning to suffer from any losses in resin properties. We recommend keeping the resin system at a good room temperature at all times where possible, ensure to clean the lids and bottle necks of containers with isopropyl alcohol / acetone allowing the solvent to evaporate before replacing the lid.Product Data Units Mix Mix Ratio Weight 100 : 50 Hardness ShoreD 80 - 85 Viscosity (25°C) mPa.s 600 - 900 Density (25°C) g/cm3 1.09 – 1.13 Pot life (200g, 25°C) Mins 25 - 30 Cure Time (200g, 25°C) Hours 24 Full Cure (25°C) Days 7 Recommended Casting Thickness mm 1 - 5 -
- Designed for use with the Peter Child Pyrography machine: two pen flexibility at the flick of a switch.
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Features:- Fine control of heat and precise handling of the burning head, variable heat, up to 1100º C.
- The pen (for handpiece) has a cool running and lightweight handle which remains comfortable even after many hours of use.
- Writes quickly and as fluently as a fountain pen.
- Cost effective replacement points.
- The ability to shape your own points from specialist wire with the supplied fine wire, perfect for fine detailed burning. Thicker wire is available, ideal for enhancing bird or stick carving.
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A refined Beeswax and Citrus Oil polish with pleasant aromatics and emulsified into a ready-to-use paste. For the palest, brightest cabinetry finish offered in our range; a double wax application and polish (min. 24 hours apart) to raw, fine-sanded woodwork would be recommended. -
A penetrative, nourishing, quality finishing oil which reflects the original, heavy-oil formulations that traditional Danish Oils were renowned for. As a clear finish will richly enhance the existing woodcolour/s. For best results, requires quality dry-sand surface preparation; using 600 /1200 / 1500 grit papers (the finer the better) Upon curing/drying (min. 14 days) makes for ideally prepared surface for further (optional) Waxing/Polishing. -
Organoils Hi-Speed Finishing Oils specifically formulated for on-lathe, under-turning-speed finishing. It is a heavy oil which can well deal with the load (fill) requirements of softwoods - you may choose to cut it (with vegetable turpentine) for denser hardwoods. One of its unique ingredients is the rare, Mustard Seed Oil (a well kept Aussie secret until now!) which gives the formulation good slip for the wet-sanding procedure and a silken touch to the finished result. -
A low sheen finishing oil based on Tung Nut Oil, Beeswax, Citrus solvents and anti-fungal oils that penetrates the timber substrate to nourish, preserve and seal; as well as providing protection against weather degradation and rot. A natural alternative to petroleum hydrocarbons and water based oils -
Fine finishing starts with good preparation! Use these mildly abrasive pads after sanding for that final smoothing process to give a near-perfect surface prior to applying any finish. Very long lasting, these pads are also very flexible and do not crumble, thus avoiding any fear of contamination of your work. Exercise care when using these pads with the lathe revolving. -
Fine finish starts with good preparation! Use these mildly abrasive pads after sanding for a final smoothing process to give a near-perfect surface prior to applying any finish. Very long lasting, these pads are also very flexible and do not crumble, thus avoiding contamination of your work.
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Used for diluting French polish, Light Fast and Earth Stains, or cleaning surfaces and tools.
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Shellac Sealers are used in the French polishing trade either; as a quick drying finish to seal timber after staining; or as a basecoat for subsequent coats of French Polish. -
Sold world-wide as probably the market leader in Friction polish. After sanding surface very smooth, seal with either Cellulose Sanding Sealer or Lacacote Wood Sanding Sealer (wiped on). -
Danish Oil is a specially formulated blend of natural and synthetic oils for use on wood products. A very durable penetrating oil suitable for both interior and exterior wood. Excellent heat and water resistance make this a very versatile finishing product. -
Mylands wax polishes are manufactured from the finest natural ingredients including pure Beeswax and Carnuba wax. Mylands wax will help hide any surface scratches and produce a deep traditional sheen. On polished surfaces use sparingly and buff within a couple of minutes. -
Use as a wipe on sealer (2 coats) prior to applying High Build Friction polish or Melamine Lacquer. Very quick drying (3-6 minutes). -
Mylands Blonde Dewaxed Shellac Flakes are used to produce a transparent, brown-coloured French Polish which is often used in antique restoration or the bespoke production of furniture. Easy to use, it is ideal for use on lighter coloured woods. -
Although French polish is the general term for all types of Shellac Polish, it is also a product in its own right. Mylands range contains many blends of Shellac Polish which have been developed over the years to fulfil various different requirements – some of which are slightly modified products for a specific purpose. They come in various depths of colour, which give the French Polisher latitude to choose the most appropriate product for the timber being polished. Shellac products have a variety of uses from finishing antiques and reproduction furniture to acting as a barrier between two normally incompatible finishes. They are particularly useful when refurbishing furniture as they will seal in any wax product which may have been applied to the furniture in the past. -
1" x 20' abrasive in a convenient dispenser. Perfect for spindle, pen, or any turning where small strips are needed. This convenient dispenser is loaded with four or 1" x 20' rolls of cloth backed aluminum oxide abrasive. Each dispenser pack contains one roll of 150, 240, 320 & 400 grit abrasive. Just pull out and tear off the length of abrasive strip you need. -
1" x 20' abrasive in a convenient dispenser. Perfect for spindle, pen, or any turning where small strips are needed. This convenient dispenser is loaded with five 1" x 20' rolls of cloth backed aluminum oxide abrasive. Each dispenser pack contains one roll of 150, 240, 320, 400 & 600 grit abrasive. Just pull out and tear off the length of abrasive strip you need. -
Perforated design which allows the dust to escape without clogging. -
Perforated design which allows the dust to escape without clogging. mixed pack of 15, 3 of each of the following 5 grits, 120G, 180G, 240G, 320G 400G, 70mm x 125mm.
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Milliput Epoxy Putty, the two sticks have a long shelf life but once mixed the resultant putty is at first soft and highly adhesive and then gradually hardens. Speed of hardening is dependant on temperature and at normal temperatures (20-25ºC) Milliput becomes rock hard in three to four hours. By the application of heat the setting time can be reduced to a few minutes. After setting hard Milliput continues to cure and is fully cured after an elapse of time equal to the setting time at the same temperature. Once fully cured Milliput can be machined, drilled, tapped, turned, filed, sawn, sandpapered and painted. Milliput can be sandpapered and painted immediately it has set. (it is advisable to wear eye protection during this process). Milliput is an excellent adhesive and will bond any of the following to itself or to any of the others - wood, brick, cement, metals, concrete, plastics, glass etc, but note that Milliput is not intended as a thin layer adhesive and should not be used where a paste, mucilage or thin glue is indicated. Milliput will set under water and is heat resistant up to 130°C. Shelf Life: Recommended that Milliput is stored in cool, dry conditions. Please reseal bags after use. Stored correctly this product should remain workable for about 2 years. Available in six colours: Standard (Yellow/Grey), Terracotta, Silver Grey, Black, Superfine White and Turquoise Blue. -
Llewellyn Ryland Polyester Pigment are coloured liquid/paste mediums based on pigments dispersed within a solvent-free reactive unsaturated polyester resin. They are available in a wide range of colours varying in strength and consistency depending upon the particular colouring application. They have been developed to blend easily into resin systems. The range of colours is based upon pigments carefully selected for colour fastness, opacity, heat stability and having minimum effect upon the curing characteristics of the final system. The resin used with the Polyester Colour Paste is a specially developed solvent-free reactive polyester resin which chemically cross links with the moulding resin so that the colour is "locked in" once the system has cured. They can be used to colour most polyester resin based systems used within the composites or related industry. These Polyester Colour Pastes have excellent stability. -
Wood Bleacher is ideal for removing dark stains caused by rust, alcohol, damp, ink, ring marks and fruit. It can also be used to lighten naturally dark wood or natural wood which has darkened through alkali stripping, staining or weathering. It does not harm the wood. -
Wax Filler Sticks are blended wax filler used to repair cracks, splits and small to medium-sized holes without sanding or having to strip the finish. Available in a wide range of intermixable wood colours, they can be applied without a heat source, are quick drying and have no shrinkage making them ideal for use on finished furniture and other articles. -
Verdigris Wax is a multi-purpose coloured wax for creating striking effects on all types of interior material such as wood, metal, stone, plastic and plaster. Recommended as a special effects wax, it gives green hues of oxidised copper and brass and can be worked into moulding, bronzes, papier-mâché, alabaster and carvings. Ideal for decorating household objects, it buffs to a soft sheen, and can also be applied as a wax finish to bare or coloured wood. -
Liberon Superior Danish Oil is a blend of pure, high quality tung oil and natural oils that feed, enhance and protect hard and soft woods. It is a penetrating oil, which brings out the natural grain of the timber and provides a satin to gloss sheen. With added UV filters to help prevent discolouration from the sun, and water, heat and alcohol resistant, it is suitable for both interior and exterior use. It is safe for use on toys. -
Liberon Quick Drying Tung Oil is a high quality natural oil for protecting interior and exterior wood. It provides a hard-wearing finish, and is ideal for surfaces such as tables and furniture. A quicker drying version of Liberon Pure Tung Oil, each coat dries in approximately four hours, and is highly resistant to water, alcohol and food acids. Being a penetrating oil it allows the wood to age gracefully and develop a natural patina. It provides a long-lasting matt finish. -
Lubricating Wax is specially formulated to lubricate and clean interior tools and machinery to increase their efficiency and keep working parts moving freely. Silicone-free, it is suitable for use on saw blades, cutter blades, machine tables, lathes and planers to increase longevity, and help to reduce rust and corrosion on all bare metal surfaces . Its special properties will also assist in the quick cleaning and easy removal of glue from veneer presses and G-clamps, as well as help to reduce resin build-up from softwood. -
Liberon Finishing Oil is a blend of high quality oils for use on all interior wood and turned woodwork. Used to nourish and enhance the colour of the wood, it is suitable for use on kitchen tables and bathroom furniture, and can also be applied to cork, stone and terracotta. Water, heat, alcohol and food acid resistant, it gives a matt, satin or gloss finish depending upon the number of coats applied. Ideal for surfaces requiring a hard wearing and water-resistant finishes. -
Liberon Easy French Polish is as shellac and resin-blended polish ideal for use on furniture, carved woodwork and artefacts in rare or exotic woods. Suitable for use on small surfaces measuring 1m2 or less, it will beautifully enhance the wood’s natural finish, and produces great results quickly. Available in clear for a natural effect, it is ideal for beginners to furniture restoration. -
Liberon Black Patinating Wax is used for adding a coloured finish, highlighting areas or creating striking effects on all types of interior materials. It is ideal for ageing modern furniture, disguising repairs to old and new furniture, and highlighting areas on finished pieces and decorative carvings. It is suitable for use on wood, metal, gilt, plaster, tone, MDF and papier-mâché. -
These beautiful micaceous-based colours are for artists and crafters who wish to add a touch of glamour or glitter to a piece, such as the translucent glow of an angel's wings, a butterfly, a fish or the brilliant iridescent shimmer on a mallard drake's neck. Simply mix the iridescent colours directly into your paints or apply after decorating to highlight specific areas. The choice is yours. For best use when using the Iridescent paints in an Airbrush, looks well on an ebonised background. -
Hampshire Sheen Pen Turners Overcoat is a 100% microcrystalline stick for pen turners who enjoy the benefits of this special wax on their turned pens, be them wood or otherwise. It applies over any finish the turner favours to give a fingerprint resistant, glossy shine. -
Hampshire Sheen Intrinsic Colours being water based, they are non-flammable, environmentally friendly and afford you a long working time. They sink deeply into the wood and preserve the appearance of the figure in the wood, releasing the hidden subtleties. Apply more than one coat of dye to build up depth of colour, and add a black or earth undercoat for an even more dramatic effect. For the adventurous colourist, Intrinsic Colours can be mixed together to create even more shades or thinned with water for a lighter shade. -
Hampshire Sheen Intrinsic Colour Collection, individual bottles of the Intrinsic Colour Collection in 125ml size, twelve shades of colour developed and mixed by Martin Saban-Smith. -
Hampshire Sheen Intrinsic Colour Collection, individual bottles of the Intrinsic Colour Collection in a large 250ml size, twelve shades of colour developed and mixed by Martin Saban-Smith. -
Hampshire Sheen Embellishing Wax are ideal for enhancing open grained decorative items from woods such as Oak or Ash or woods with added texture. They work brilliantly in combination with the Intrinsic Colour Collection and this selection available in nine colours are a great, easy to apply alternative to gilt creams. Supplied in 60g tins. -
Hampshire Sheen embellishing wax is designed to be used on open grain woods such as oak or ash and works brilliantly to highlight textured elements on tighter grained woods. Use in conjunction with the Intrinsic Colour Collection for stunning results. Supplied in a 130g lever lid tin. Apply liberally and buff to a gloss. -
Hampshire Sheen CarnaCrystalline is a secret blend of Carnauba and Microcrystalline waxes in a 31g turners stick that produces a gloss finish like nothing else. Easier to apply than a traditional carnauba wax stick. -
Quick drying Microcrystalline Wax is an ideal protective finish for many different projects and has many uses besides wood. Both Fingerprint and water resistant, Microcrystalline Wax is a hard wearing overcoat to wax and other finishes for an extra level of gloss and protection to your decorative wood items. Just a little of the product goes a very long way, so use it sparingly! -
Hampshire Sheen - Lacquer 500ml Aerosol have been formulated to be strong, flexible and very glossy. They can be used for both internal and external projects. Glass like finishes can be achieved with these two superb acrylic spray lacquer products. Supplied in 500ml cans with 2 nozzles. -
Hampshire Sheen - Inlays, metal powder and decorative sand inlays are a popular choice to team up with the CA glues. Powders supplied in 250g-350g bottles, Sands in 250g & 350g shakers. -
As the name suggests, the High Gloss variation brings a higher shine to your decorative woodwork . It is tough, with an additional 'Pow' of shine that suits some lathe projects. Contains a high quantity of carnauba and microcrystalline waxes. Shiny, tough and exceptionally long lasting. Food and toy safe, too. Supplied in 130g tins. -
Hampshire Sheen’s Danish Oil is food contact and toy safe when fully cured and complies to EU71 regulation. Thinner, more penetrating and less smelly that other Danish Oils, this product contains only pure Tung Oil and no artificial varnish, resins or other vegetable oils. -
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Citrus Burnishing oil can be easily applied and then burnished dry in a matter of minutes, and can be overcoated with waxes or lacquers if you wish. Use multiple coats for a water and oil resistant finish suitable for salad, fruit and snack bowls. Easy to apply; Over 50% Tung Oil; Food Safe when dry; Fresh smell when dry, fading over time; Deeply penetrating and protecting; Will not chip, flake or peel; Naturally water and oil resistant when cured. Supplied in a 500ml (17.6oz) cone top bottle. -
Hampshire Sheen - Cellulose Sanding Sealer 500ml is pre-thinned, giving you absolute control of the provided surface. Supplied in 500ml tin. -
- Professional Clear Gloss Lacquer Superb thick, nicely levelling product. Requires fewer coats for a deep, lush shine. Can be mechanically buffed after a few hours.
- Professional Clear Satin Lacquer Produces a superb satin finish on most surfaces in just two coats (over sealer) without further work required.
- Professional Black Gloss Lacquer Like the Clear Gloss, this black requires fewer coats for a fantastic depth of finish.
- Professional Black Satin Lacquer A silky smooth black surface over sealer can be produced in just a couple of coats. Use without sealer to preserve visible grain.
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Designed specifically with pen turners in mind. This finishing kit consists of nine different, colour coded, foam backed sanding pads measuring 10cm (4") x 8.5cm (3.1/4"). Includes the following grit sizes: 1500 - Rust 1800 - Green 2400 - Black 3200 - Tan 3600 - Wine/Brown 4000 - Teal 6000 - Purple 8000 - Royal Blue 12000 - Grey Suitable for wood and acrylic blanks . -
WoodWax 22 contains beeswax (for shine) and carnauba wax (for hardness). Blended together in a solvent to produce a soft creamy paste. This makes it very easy to apply over any surface.
WoodWax 22 is quick drying enough to be applied onto unsealed wood but works best on one of Chestnuts sanding sealers.
If working on the lathe the wax should be applied with the lathe stopped.
Apply using a cloth (Safety Cloth or Stockinette works well with this); the wax spreads easily over the surface, after about 20 seconds it starts to drag slightly. This means it is ready to buff up; if you haven’t covered the whole piece by then don’t worry, just take a little more wax from the tin and carry on applying, the wax won’t mind waiting!
It’s best to buff WoodWax 22 as soon as you can; that way any surplus wax that might have been applied will be removed, allowing the shine to really show through.
If working on the lathe Safety Cloth should be used for the buffing process and let the lathe do the work for you. Off the lathe Safety Cloth or Stockinette can be used.
A second or even third coat of wax can be applied if required, leaving about twenty minutes between coats. After three coats the finish can become softer and will mark very easily.
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Woodturners stick wax is a mixture of beeswax and carnauba wax it is slightly softer than the Carnauba Wax Stick and therefore slightly easier to apply and there are no concerns about it marking softer woods. Applied over a sanding sealer, simply hold the stick against the revolving work and allow the heat generated to melt the wax onto the wood. Buff up straight away using Safety Cloth, using the cloth to ensure an even coating. -
Tung Oil, or Chinese Wood Oil as it’s sometimes called, is a natural oil derived from the seed of the nut of the tung tree. The jury is out as to whether it can spark a nut allergy. Tung Oil air dries to form a tough, hard film that has a fairly strong amber tint. Because it doesn’t have any solvent or driers in it it can take a while to dry, and dependant on conditions this can be up to a week although 48 hours is more common. As with most finishes a thinner coat will dry quicker. Normally applied with a brush or cloth. -
Tack Cloths are coated with a special, sticky resin. The resin doesn’t transfer off the cloth but when you wipe it across a surface it picks up and dust and removes it, leaving behind a clean surface ready for finishing. This makes it ideal for use after your final sanding to make sure that all of the sawdust generated is removed and doesn’t affect your finishing. Tack Cloths are supplied in a sealed wrapper; once opened store them in an air-tight container to prevent them from drying out. Do not use Tack Cloth with the lathe running. -
This bleached knitted cotton cloth is ideal for applying and buffing most products; the slightly coarse texture ensures that the applied coating is spread thinly, which is always preferable. Not recommended for use on the lathe. -
The finest of Steel Wool, very low crumble and virtually oil free to ensure there is no contamination of your work. Use it after sanding with abrasive sheets to give an ultra smooth surface, or to apply waxes to smooth the timber whilst applying a thin coat. Steel Wool burns very quickly and easily; keep it away from sources of combustion (i.e. sparks etc). Always use a knife or scissors to cut Steel Wool -
Out of stock
Chestnut Spray Diffusers are ideal for applying Spirit Stain; one end goes in the stain and you blow through the other end for your own mini-spray gun. Great for special decorative effects. -
This clear, slower drying solvent is primarily for thinning our Spirit Stain to give delicate wash effects without affecting the colour (as methylated spirit would). It can also be used to dilute Friction Polish or French Polish if needed (usually only when the cap has been left off and the product has thickened up). It’s also suitable for use in making french polish if you want to dissolve shellac flakes in it. -
The ideal way to experiment with the different colours available to decide which ones you prefer, the Spirit Stain Kit contains one bottle (min. contents 25ml) of each of the twelve wood colours. These are exactly the same stain as in the bigger bottles and will intermix if you want to vary the shades available. The stains are very fade resistant, quick drying and non-grain raising. -
The ideal way to experiment with the different colours available to decide which ones you prefer, the Spirit Stain Kit contains one bottle (min. contents 25ml) of each of the nine colours. These are exactly the same stain as in the bigger bottles and will intermix if you want to vary the shades available.
The stains are very fade resistant, quick drying and non-grain raising. -
An exciting and vibrant set of colours for staining wood, Spirit Stains are methanol based to make them quick drying and because of this they also will not raise the grain of the timber they are applied to. The pigments used to make this stains are of the highest quality and all score the top ratings of 7s and 8s in the Blue Wool Scale, the measuring system used to rate fade resistance. This means you can use them with confidence knowing that the colour you apply will still be the same many years later. Spirit Stains are fully inter-mixable so you can produce virtually any colour you can think of, giving you full opportunity to be as creative as you wish. The colours will also mix after application so you can blend from one colour to another for fantastic ‘flare’ effects. Spirit Stain White is designed primarily as a mixer to create pastel shades when mixed with other Spirit Stain colours. It can be used to stain timber but as it is a translucent stain this can have a limited effect depending on the base colour of the timber used. Should you want a more subtle colour you can dilute the stains with Spirit Thinners for a delicate wash effect. -
Shellac Sanding Sealer is the traditional way of sealing timber prior to applying a polish or a wax.
Chestnuts version has a high percentage of real shellac which means it does the job extremely well, dissolved in an ethanol solution to make it easy to apply and quick drying.
Applied by cloth, brush or spray it dries in about 20 minutes, making it very popular for cabinet and architectural work as it is easy to keep a wet edge running. It is also popular with woodturners and highlights the natural grain of the timber extremely well.
Sand back lightly after application and apply Friction Polish, French Polish or any of Chestnuts waxes on top.
Conforms to EN71 Part 3 – suitable for toys and nursery furniture.
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Safety Cloth is a thick, non-woven paper cloth. Designed to stay wet longer to assist the transfer of finishes to your chosen surface, it also tears very easily if it gets caught in revolving parts thus avoiding the danger of fingers being dragged into machinery. The texture of Safety Cloth ensures that a thin, even coat is applied and the thickness means that it retains it’s strength and the same piece can be used several times with the same finish. Safety Cloth is not a replacement for common sense and good safety practise. -
This acrylic Reducer is the perfect thinner/flow medium for our Iridescent Paints and Metallic Paints, essential when using an air brush. Use sparingly, only a little should be required. This will also ensure that it does not affect the opacity and brightness of the colours. -
NyWeb pads are a non-woven nylon webbing with an abrasive – either silicon carbide or aluminium oxide – embedded into them to give an exactly defined cut.- The Green pads are 400 grit
- The Red pads are 600 grit
- The Orange pads are 1000 grit
- The White pads do not contain an abrasive and are thus technically non-abrasive, but the very texture of the pads gives them an incredibly fine – but immeasurable – cut.
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This is the same wax Chestnut use in the tinned version of Microcrystalline Wax but in a solid block form with no solvent. This means there’s no waiting around for it to dry before buffing it.
Like the original version, this wax should be used very sparingly, a little goes a very long way and once applied it might even be necessary to spread it thinner using Safety Cloth (the texture of this makes it ideal for this purpose).
The Microcrystalline Wax Stick is also perfect for use on the Buffing Wheel System, use it on Wheel C to buff up to a brilliant, hard wearing finish. -
Chestnut Products’ Microcrystalline Wax is a blend of high quality waxes rich in microcrystalline wax – a wax derived from the petroleum refining process and known for the fineness of its crystals.
This is mixed with a special solvent to create a firm wax which, when dry, knits down to form a very dense coating making it very water resistant, meaning that it is ideal for any items that are likely to come into contact with water for short periods of time.
Microcrystalline waxes also have a higher melting point than other waxes traditionally used to make polishing waxes, the benefit of which is that repeated handling of items finished in Microcrystalline Wax won’t finger mark in the same way, as the melting point is higher than normal body temperature.
Microcrystalline Wax should be used over one of the Chestnut Products’ sanding sealers and allowed to dry (about 20 minutes) before buffing to a shine.
For best results apply a very thin coat, spreading the wax evenly over the entire surface.
Microcrystalline Wax can also be used on the buffing wheel system. In this situation use the A and B Wheel as normal, then apply the Microcrystalline Wax to the item you are polishing. Allow 20 minutes for the wax to dry then buff and normal using the C Wheel. You can use the same C Wheel for both Microcrystalline Wax and the Carnuaba Wax Stick.
Microcrystalline Wax has been tested to the EN71 Part 3 regulations regarding coatings used on toys.
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This exciting range of water-based acrylic paints comes in 8 metallic colours. Designed to add an even shimmer to your work they will really make it glow. Mix and match them, use them to highlight certain areas or cover everything in them, the choice is yours. Best used over sanding sealers, apply a spray lacquer over them once dry to seal them in. Can be applied by cloth, brush, spray gun, air brush or any suitable medium you choose! -
When you’re looking for a hard-wearing, heat and water resistant, quick drying gloss lacquer you need look no further than Melamine Lacquer.
Based on cellulose technology, Melamine Lacquer has a catalyst suspended within it; when the lacquer is in the can it is inert but once applied and exposed to the air, the lacquer dries within five minutes like a cellulose and then the catalyst kicks in and the lacquer goes on to chemically cure to give a more durable coating. 90% of the curing process happens in the first seven days after application, making the lacquer very hard wearing, the remaining 10% of the process can take up to two weeks more to give maximum toughness, something you only need to consider if the lacquer is going to be subjected to extremely hard use.
Melamine Lacquer is designed to give a full gloss finish which will be achieved with a very careful application. It can be applied by brush (foam or bristle), cloth or by spraying. Where necessary, use cellulose thinners to dilute the product – especially helpful if working on a large area.
The gloss level of Melamine Lacquer can be increased by using burnishing cream once it has dried, and it can also be overcoated with friction polish (to increase the depth of the shine) or woodwax 22 or microcrystalline wax (for a more natural feel).
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Melamine Lacquer can be a bit fiddly to apply and there’s no better way than spraying it. If you don’t have access to spray equipment then this aerosol version is the ideal way.
Melamine Gloss Lacquer will quickly build to a bright gloss finish and dries in a matter of minutes.
Touch dry and safe to handle within five minutes the lacquer chemically cures to give a tougher finish. The lacquer achieves practically all of this (about 90%) within seven days, after which the process slows and can take up to another two weeks to fully complete.
Best used over a Cellulose Sanding Sealer (brushing or aerosol) and can be overcoated with a wax for a softer tactile feel.
